by Michael Wolff ‧ RELEASE DATE: Jan. 5, 2018
The White House has naturally denied and decried Wolff’s account, but even if it’s only halfway accurate, it presents an...
Headline-grabbing fly-on-the-wall view of the dysfunctional playroom that is the Trump White House.
“What is this ‘white trash’?” asks a fashion model of Donald Trump. He replies, “They’re people just like me, only they’re poor.” There’s a certain Snopes-comes-to-the-big-city feel to celebrity journalist Wolff’s (Television Is the New Television: The Unexpected Triumph of Old Media in the Digital Age, 2015, etc.) tawdry portrait of the current occupants of the White House, which, writes the author, is based on conversations with the president and his senior staff and backed by hundreds of hours of recordings. Given the many competing fiefdoms in the West Wing, Wolff adds, no one wholly endorsed his access (“the president himself encouraged this idea,” he says), but no one quite said no, either. The results are damning, those competing fiefdoms not just jealous of their turf, but also vicious in their characterizations of the other side. Most aggressively nasty, by the author’s account, is former assistant Steve Bannon, who describes Trump as “a simple machine” with a binary of flattery and calumny, while he declares that “I am the leader of the national-populist movement” and suggests that Trumpism can do fine without its namesake—who, he adds, will not be around for a second term. Wolff has plenty of sting himself. Of one-time intern-turned–power broker Stephen Miller, he sneers, “he was supposed to be the house intellectual but was militantly unread,” while he suggests that the dumb-as-a-brick (Bannon’s characterization) Ivanka’s relationship with her father is purely transactional: “It was business. Building the brand, the presidential campaign, and now the White House—it was all business.” No one in the administration seems up to the job he or she is supposed to be doing, and there’s an ugly, startling instance of incompetence on every page.
The White House has naturally denied and decried Wolff’s account, but even if it’s only halfway accurate, it presents an appalling view of a frighteningly unqualified and unprepared gang that can’t think straight.Pub Date: Jan. 5, 2018
ISBN: 978-1-250-15806-2
Page Count: 336
Publisher: Henry Holt
Review Posted Online: Jan. 5, 2018
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SEEN & HEARD
SEEN & HEARD
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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National Book Award Winner
Pulitzer Prize Finalist
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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New York Times Bestseller
Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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