Masquerading as a man, a young woman sets out to find her friend’s killer in New York and London at the turn of the century; disguise proves to be simultaneously liberating and imprisoning in Lewin’s big-canvas historical novel. No one is who she or he seems to be, not the gender-bending heroine Jackie who spends most of her life as Jack so she can play baseball; not her best friend, Nance, a black performer who “passes” as white, and who dies of a stab wound in the opening pages. Cleverly structured and meticulously detailed so that every piece of information neatly clicks into the jigsaw-puzzle ending, the novel runs on two tracks. One chronicles Jackie’s past history starting with her grandmother (whose incredible life both mirrors and influences her granddaughter’s); the other details her current adventures as the avenger of her best friend, along with a surprise unveiling of her father’s murderer. After a vivid trip through 19th-century America, the novel concludes in and around the music halls of London, where Jackie’s past and present converge. The derring-do climax fails to ignite, for this is a book in which the journey surpasses the destination, but overall Lewin produces a grand adventure that readers won’t soon forget. (Fiction. 12-14)
Pub Date: Oct. 1, 1999
ISBN: 0-8050-6225-4
Page Count: 520
Publisher: Henry Holt
Review Posted Online: May 30, 2011
Kirkus Reviews Issue: Nov. 1, 1999
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)
Pub Date: Feb. 1, 2001
ISBN: 0-385-32650-5
Page Count: 150
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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