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ARCHIBALD FINCH AND THE LOST WITCHES

An engaging adventure, despite the lack of an ending and some characterization problems.

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In this debut middle-grade fantasy novel, a boy unlocks a magical globe and enters a world where witches fight monsters.

Archibald Finch, almost 12 years old, has just moved from London with his family to the rambling, creepy Hertfordshire mansion that his father inherited. Searching for hidden Christmas presents, Archibald discovers a centuries-old globe that shows misshapen continents with peculiar creatures inhabiting them. Even weirder, the globe has an odd mechanism that emits a bright light in a flash of thunder—and then somehow absorbs Archibald within itself. Now in a strange new world called Lemurea, Archibald explores the land—encountering girls, magic, and monsters. The last are called Marodors, each a chimera of other beasts like “some botched experiment.” The magic is wielded by the (nearly) all-girl inhabitants, such as beautiful Faerydae, who finds Archibald and brings him to relative safety. There, the girls teach Archibald about Lemurea and “golems,” stones inscribed with runes and combined in different ways to fight Marodors. (This is puzzlingly far from the classic meaning of golem.) Meanwhile, Archibald’s sister, Hailee, nearly 14, searches for her lost brother. She too faces danger from a robber disguised as a priest, but she gains an ally in Oliver Doyle, the 15-year-old son of the shop owner she consults about the globe. Archibald makes an important discovery about Marodors, but a quest to visit the queen leads to some shocking news. His potentially world-changing ideas will have to wait; the saga is to be continued. In his series opener, Guyon offers an intelligently conceived portal tale with action and humor. Complex storytelling strands are deftly woven here, bringing in Leonardo da Vinci, orphanages, and psychological ideas about the nature of monster-making. Some readers may question the idea that it takes a boy barely any time at all to figure out the Marodor problem, which has eluded the world’s girls for hundreds of years. Archibald becomes a man in his 15-day odyssey, but the much-older (though young-looking) Faerydae still pouts like a child. The images by debut illustrator Kostich are complexly detailed and nicely show atmosphere. 

An engaging adventure, despite the lack of an ending and some characterization problems.

Pub Date: Oct. 8, 2018

ISBN: 978-1-7325699-2-8

Page Count: 350

Publisher: Time Tunnel Media

Review Posted Online: July 23, 2021

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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