A resourceful couple’s exhilarating recollections of sailing to India and beyond.




In this debut travelogue, a husband and wife share their observations, insights, and inspirations during a cruise that starts and ends in Australia, with a treasure hunt thrown in.

The Beales set out on a big adventure after Michelle was diagnosed with a brain tumor in 2009. After saving their pennies and battling the tumor to a standstill, they set sail from Sydney on May 20, 2013, on a cruise that would take them west on the Sea Princess through Indonesia to India (where they stay a few days and catch up with the ship farther on). Then the vessel heads to the Mediterranean, the North Atlantic, the Panama Canal, Hawaii (“Paradise is all around and unavoidable”), Samoa, and so forth, arriving in Sydney 104 days later. Readers learn about life on the high seas—and the endless work it takes to run and maintain the Sea Princess—the challenge of doing laundry, the daily routines, the friendships, the colorful ports of call: all that one would expect. As background, readers learn of the Beales’ history together, Michelle’s cancer (a battle not yet won), and their life philosophies. Each page is a log entry, complete with daily status (weather, position) and an inspirational aphorism or reflection (for example, “I have not told half of what I saw”—Marco Polo). Off Somalia, the ship stations crew members to look for pirates. In Scotland, readers learn of the astounding Falkirk Wheel. Edward handles much of the photography and the technical stuff; Michelle is the writer, and not just good, but gifted. At one point, she says of the Sea Princess in the middle of the ocean, “We are all in the same boat,” a cheekily resuscitated metaphor. She also recalls a stirring sunrise at sea, where “a fireworks show of boiling blues and raging reds bubble out” from the horizon. Then there is the inventive treasure hunt based on hints made throughout the volume. Who can resist such a lure? And the log format makes this a book for dipping into anywhere—perfect on the nightstand. Readers should enjoy spending time with the Beales, especially gutsy Michelle. Bon voyage!

A resourceful couple’s exhilarating recollections of sailing to India and beyond.

Pub Date: Feb. 18, 2016

ISBN: 978-0-692-38310-0

Page Count: 144

Publisher: Expeditionaire

Review Posted Online: Jan. 19, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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With this detailed, versatile cookbook, readers can finally make Momofuku Milk Bar’s inventive, decadent desserts at home, or see what they’ve been missing.

In this successor to the Momofuku cookbook, Momofuku Milk Bar’s pastry chef hands over the keys to the restaurant group’s snack-food–based treats, which have had people lining up outside the door of the Manhattan bakery since it opened. The James Beard Award–nominated Tosi spares no detail, providing origin stories for her popular cookies, pies and ice-cream flavors. The recipes are meticulously outlined, with added tips on how to experiment with their format. After “understanding how we laid out this cookbook…you will be one of us,” writes the author. Still, it’s a bit more sophisticated than the typical Betty Crocker fare. In addition to a healthy stock of pretzels, cornflakes and, of course, milk powder, some recipes require readers to have feuilletine and citric acid handy, to perfect the art of quenelling. Acolytes should invest in a scale, thanks to Tosi’s preference of grams (“freedom measurements,” as the friendlier cups and spoons are called, are provided, but heavily frowned upon)—though it’s hard to be too pretentious when one of your main ingredients is Fruity Pebbles. A refreshing, youthful cookbook that will have readers happily indulging in a rising pastry-chef star’s widely appealing treats.    


Pub Date: Oct. 25, 2011

ISBN: 978-0-307-72049-8

Page Count: 256

Publisher: Clarkson Potter

Review Posted Online: Jan. 13, 2012

Kirkus Reviews Issue: Oct. 15, 2011

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