by Michelle Cuevas ; illustrated by Sydney Smith ‧ RELEASE DATE: Sept. 12, 2017
Not since Peter Pan’s has a shadow commanded such well-deserved attention
In the middle of a city filled with Old World stuccoed walls and tiled roofs, a boy’s shadow yearns to break free.
“If life is a book, then Smoot the Shadow had been reading the same yawn-colored page for seven and a half years.” The light-skinned boy connected to the protagonist—clad in shorts, jacket, and baseball cap—leads a rigid, mostly black-and-white life; he colors inside the lines. Smoot (a blend of “smudge” and “soot”?) finally breaks free. As the shadow wordlessly, gleefully skips rope, rides a carousel, and climbs a tree, the boy is ever watchful from the margins. Inspired, other shadows follow their dreams: a frog’s shadow turns into a prince, and a dragonfly’s breathes fire. Imagining unintended consequences were this to continue, Smoot quickly finds satisfying, child-sized solutions for his restless counterparts and reunites with his boy, whose own spark has been ignited. Cuevas’ plotline radiates freshness and celebrates the rewards of risk-taking. Smith has a keen understanding of the power of the contrast between blackness and color. Employing ink and watercolor, he skillfully exploits this dynamic to both foreground the silhouetted characters and, in concert with decisions about when to use frames or full bleeds and controlled lines or looser strokes, to underscore the distinctions between a constricted and unfettered existence.
Not since Peter Pan’s has a shadow commanded such well-deserved attention . (Picture book. 4-7)Pub Date: Sept. 12, 2017
ISBN: 978-0-525-42969-2
Page Count: 48
Publisher: Dial Books
Review Posted Online: June 13, 2017
Kirkus Reviews Issue: July 1, 2017
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by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Aug. 18, 2026
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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