A thought-provoking peek into a culture deserving of more attention in North America.
A teenage girl living in the slums of Jakarta, Indonesia, finds the resolve to defy her unfortunate circumstances and achieve her dreams.
Fourteen-year-old Nia desperately wants to continue her education and become a writer, but her family can’t afford the school fees. Instead, she spends her days looking after her 5-year-old brother, Rudi, doing chores, and helping her alcoholic father sell banana fritters at the market. To escape their miserable existence, Nia tells Rudi stories about their late mother and writes stories inspired by her favorite folktale, “Queen of the Southern Sea.” And just as she promised her late mother, Nia ensures that the protagonist in her stories, Dewi Kadita, always comes out on top. One day, Nia miraculously escapes from a minibus accident unscathed. Smooth operator Oskar witnesses the accident and embellishes her survival into “a miracle”; from then on, Nia’s “good-luck magic” fritters sell like hot cakes. Against her good judgement, Nia starts charging double so she can save up for her school fees. But things backfire and tension mounts. In the end, Nia draws strength from her heroine, Dewi, and finds the courage to seize control of her own destiny. Punctuating Nia’s thoughtful, present-tense narration with her stories about Dewi, Kadarusman effectively weaves a gentle tale of love and loss and illuminates the power of storytelling.
A thought-provoking peek into a culture deserving of more attention in North America. (author’s note) (Fiction. 9-14)Pub Date: May 23, 2019
ISBN: 978-1-77278-081-9
Page Count: 224
Publisher: Pajama Press
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.
A 12-year-old copes with a brain tumor.
Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”
Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-62972-330-3
Page Count: 256
Publisher: Shadow Mountain
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Japanese-American Aki and her family operate an asparagus farm in Westminster, Calif., until they are summarily uprooted and...
Two third-grade girls in California suffer the dehumanizing effects of racial segregation after the Japanese attack Pearl Harbor in 1942 in this moving story based on true events in the lives of Sylvia Mendez and Aki Munemitsu.
Japanese-American Aki and her family operate an asparagus farm in Westminster, Calif., until they are summarily uprooted and dispatched to an internment camp in Poston, Ariz., for the duration of World War II. As Aki endures the humiliation and deprivation of the hot, cramped barracks, she wonders if there’s “something wrong with being Japanese.” Sylvia’s Mexican-American family leases the Munemitsu farm. She expects to attend the local school but faces disappointment when authorities assign her to a separate, second-rate school for Mexican kids. In response, Sylvia’s father brings a legal action against the school district arguing against segregation in what eventually becomes a successful landmark case. Their lives intersect after Sylvia finds Aki’s doll, meets her in Poston and sends her letters. Working with material from interviews, Conkling alternates between Aki and Sylvia’s stories, telling them in the third person from the war’s start in 1942 through its end in 1945, with an epilogue updating Sylvia’s story to 1955.Pub Date: July 12, 2011
ISBN: 978-1-58246-337-7
Page Count: 160
Publisher: Tricycle
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
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