A teeming, action-packed fantasy liberally laced with Venetian history, for strong readers of both sexes; a sequel awaits....

THE UNDROWNED CHILD

Teodora, a bookish girl with a complex destiny, joins with Renzo, a Venetian boy, to battle the city’s impending destruction.

In 1899, Teo and her adoptive, scientist parents travel from Naples to Venice for a conference focused on the city’s shockingly dire problems. Rapidly heating water has brought sharks to the lagoon; wells are bursting, and children are dying of a hushed-up plague. Teo has always felt powerfully drawn to Venice. When a mysterious tome, The Key to the Secret City, clocks her in a bookshop, she enters a parallel Venice, “between the linings.” There, the evil exile Bajamonte Tiepolo is rematerializing, assembling a blood-lusting army of mutilated soldiers to avenge the city that destroyed them. With the Key their helpfully morphing guidebook, Teo and Renzo assist a community of protective mermaids and “The Gray Lady,” a librarian-turned–spell-tattooed cat, racing against Tiepolo’s dark triumph. Thickly plotted and encrusted with historical characters and fantastic elements (invisibility, an almanac of spells, transmogrifying statuary), Venetian transplant Lovric’s first effort for children is one grisly, bristling ride. A map, historical notes and a section entitled “What is true, and what’s made up?” shed light on the complicated allegory, but fantasy-devouring kids might well prefer the fast-paced horror to the historicity.

A teeming, action-packed fantasy liberally laced with Venetian history, for strong readers of both sexes; a sequel awaits. (Fantasy. 11-14)

Pub Date: Aug. 9, 2011

ISBN: 978-0-385-73999-3

Page Count: 464

Publisher: Delacorte

Review Posted Online: June 28, 2011

Kirkus Reviews Issue: July 1, 2011

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A sly, side-splitting hoot from start to finish.

THE MECHANICAL MIND OF JOHN COGGIN

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure

THE GOOD THIEVES

A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.

Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-1948-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 26, 2019

Kirkus Reviews Issue: June 15, 2019

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