An empowering introduction that demands parallel examination of Carrington’s own work.

READ REVIEW

OUT OF THIS WORLD

THE SURREAL ART OF LEONORA CARRINGTON

Artist Leonora Carrington (1917-2011) bucks pressure and tradition to join the surrealist movement.

“Leonora’s parents wanted her to be like every other well-bred English girl. But she was not.” This white girl with Irish heritage doesn’t want to “become a lady.” As a child, she sketches make-believe planets; she’s expelled from boarding school after boarding school. In Italy, she sees Renaissance art in churches and galleries and forges ahead “to paint her own imagined worlds.” She joins the surrealists in London and then France, painting fantastical creatures and women who are not simply “pretty decorations.” When Nazi Germany invades France, Carrington escapes to Mexico (described, alas, as “exotic”), befriends artist Remedios Varo, and continues painting surrealist works about enchanted women, nature, mysticism, and the occult. Hall’s watercolor ink, gouache, and pencil-crayon illustrations feature mild surrealism, far less eerie than Carrington’s. Hall uses sinuous lines abundantly—doorways curve, tree trunks bend—and tints Carrington’s world with greens, golds, and oranges. A few full-bleed spreads are magnificent, including the flight from Nazi Europe, which combines a burning city and a winged creature-ship, and a depiction of Carrington’s late painting of a giantess, for which readers must turn the book sideways. A love affair with surrealist Max Ernst and an early marriage of convenience to escape Europe go unmentioned until the author’s note; Carrington’s mental illness isn’t mentioned anywhere.

An empowering introduction that demands parallel examination of Carrington’s own work. (illustrator’s note, bibliography) (Picture book/biography. 5-9)

Pub Date: Jan. 22, 2019

ISBN: 978-0-06-244109-6

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

Did you like this book?

No Comments Yet

Sage, soothing ideas for a busy, loud, sometimes-divisive world.

GRANDMA'S GARDENS

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Did you like this book?

No Comments Yet

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter

MALALA'S MAGIC PENCIL

The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.

Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter . (Picture book/memoir. 5-8)

Pub Date: Oct. 17, 2017

ISBN: 978-0-316-31957-7

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Aug. 2, 2017

Kirkus Reviews Issue: Aug. 15, 2017

Did you like this book?

No Comments Yet
more