by Michelle Orange ‧ RELEASE DATE: Feb. 12, 2013
An intriguingly different take on today's culture.
Film critic and essayist Orange (The Sicily Papers, 2006) situates this collection of new and previously published pieces around her thoughts on leaving “the Next Generation,” which she “had unwittingly been a part of for two decades.”
Comparing herself to her grandmother, who found cellphones the “gadget too far,” the author explores the implications of a modern life lived online. She looks at the reinvention of the dream girl typified by Marilyn Monroe as a young woman whose self-presentation is “[a]ll two-dimensional tics and self-conscious dysfunction,” a pose she derides as “a watered-down affront to iconoclasm.” Orange’s grandmother was in many ways a model for her. In the last two decades of her life, she maintained a fully engaged, modern life as a film critic in her own right, although her reviews were written on ticket stubs that she shared with the author. Films, writes Orange, also take on a new aspect today as people share clips from YouTube, and fiction and reality often meld together. She gives as an example what happened after Whitney Houston's death, when “clips of old performances” and shots of her looking “disheveled, even wild,” were viewed together. Film and life blend as people become the stars of their own life sagas through postings on Facebook and blogs and other online forums. “Networks like Facebook, Flickr, DailyBooth, and Instagram have forged a new standard for social realism,” Orange writes, “and though they are designed to promote individuality, what jumps out immediately is the organized, ticky-tacky sameness of the profiles.” In the last, autobiographical essay, the author explains how running has helped structure her life. Other topics include the role of the director in modern film theory, a trip to Lebanon, brain scans and lie detection.
An intriguingly different take on today's culture.Pub Date: Feb. 12, 2013
ISBN: 978-0-374-53332-8
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 7, 2012
Kirkus Reviews Issue: Nov. 1, 2012
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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