Unnecessary.
Ophelia lives to whine another day in this mediocre MTV treatment of Hamlet.
Ophelia’s been on again, off again with hot Prince Hamlet of Denmark since they were tweens. They have cautiously started up their relationship again a few short months after a tabloid published pictures of Hamlet with another girl. But just as Hamlet heads off for his second year at Wittenberg College, his father dies unexpectedly, throwing the whole country into an uproar. Hamlet starts acting strange, Ophelia worries about him, his mother Gertrude marries his uncle Claudius and, well, you know the rest. The only differences are that this time Ophelia fakes her own drowning and scores a guest spot on an Oprah-like talk show, and the final group demise takes place on a lacrosse field. At worst, this watered-down prose version that combines Ophelia’s first-person voice with police transcripts and scenes from the talk show is almost certain to offend Shakespeare purists; at best, it seems superfluous. Had Ray played more fast and loose with the original, the result might have been soapy, campy fun. But by staying so close to the actual plot and taking the language down to the lowest denominator (“Screw you, Horatio”), all she does is beg comparison with The Bard, a contest very few (if any) authors can hope to win.
Unnecessary. (Fiction. 14 & up)Pub Date: July 5, 2011
ISBN: 978-0-316-10162-2
Page Count: 368
Publisher: Poppy/Little, Brown
Review Posted Online: June 20, 2011
Kirkus Reviews Issue: June 15, 2011
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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