A fresh take on tooth-fairy lore.



Becoming a tooth fairy involves visits to many toothy creatures.

Tate, the titular tooth fairy–in-training, narrates the rhyming text as her big sister, May, teaches her how to retrieve kids’ teeth and leave them coins. The twist, telegraphed by the undersea imagery in the cover art, comes when May brings Tate to a lake because a “baby hippo needs a visit. / Not every child’s a human, is it?” Brave Tate perseveres through visits to a crocodile, a fierce-looking seal, and “a MASSIVE anaconda,” her expressive, light-brown face betraying the jitters underlying her bravery. The last visit is to a human child. “A little girl. I can’t go wrong,” narrates Tate, so of course, this is where drama ensues. It’s light drama, however, befitting the gentle, cartoon style of the illustrations, which give characters’ facial features a look similar to Crockett Johnson’s Harold (of purple-crayon fame). “I had to get caught by Melissa… / a doll-collecting fairy kisser,” Tate laments as she squirms in wakeful, white-appearing Melissa’s hands, the backdrop a bedroom filled with fairy dolls, a dollhouse, and other whimsical toys and décor. Tate’s magic wand does the trick of getting Melissa back to sleep, and then she and May return home, triumphant, to rest up for their next trip.

A fresh take on tooth-fairy lore. (Picture book. 5-8)

Pub Date: Dec. 10, 2019

ISBN: 978-1-5362-0939-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Aug. 26, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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