This tale of found family and recovery weaves an unforgettable punk rock–infused spell.
Xochi, a teen runaway, is contracted by 12-year-old Pallas and her polyamorous family to be their governess.
The night of an after-party during the vernal equinox, Xochi and her charge conjure two fey children bent on punishing all who have wronged the older girl. Debut author Keil paints San Francisco in both specific and broad strokes—the music scene, fashion, and lack of modern technology hint at a possibly historical setting. The worldbuilding falls somewhere between the dangerously thrilling and dark urban fantasies of Holly Black and the magic-infused, sweeping romances of Anna-Marie McLemore. The writing soars, especially at the sentence level, alternating effortlessly between past and present and the perspectives of multiple protagonists, including a bookstore cat with ties to the faery world. The secondary characters are multidimensional and bring their own storied pasts, which will draw readers to this loving and unconventional family. The often flippant dialogue helps to break up some of the heavier, more painful, and rawer passages. Xochi’s reckless decisions, especially a taboo sexual relationship and high-chasing drug use, aren’t played for drama or effect—they exemplify a truly traumatized teen on the path to recovery and healing. Through risky and sometimes-empowering behavior, she learns to forgive and love herself. Xochi is biracial (Mexican-American and white); she is also queer, as are multiple secondary characters.
This tale of found family and recovery weaves an unforgettable punk rock–infused spell. (Magical realism/urban fantasy. 15-adult)Pub Date: June 18, 2019
ISBN: 978-1-64129-034-0
Page Count: 360
Publisher: Soho Teen
Review Posted Online: April 10, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
PROFILES
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues...
He’s in remission from the osteosarcoma that took one of his legs. She’s fighting the brown fluid in her lungs caused by tumors. Both know that their time is limited.
Sparks fly when Hazel Grace Lancaster spies Augustus “Gus” Waters checking her out across the room in a group-therapy session for teens living with cancer. He’s a gorgeous, confident, intelligent amputee who always loses video games because he tries to save everyone. She’s smart, snarky and 16; she goes to community college and jokingly calls Peter Van Houten, the author of her favorite book, An Imperial Affliction, her only friend besides her parents. He asks her over, and they swap novels. He agrees to read the Van Houten and she agrees to read his—based on his favorite bloodbath-filled video game. The two become connected at the hip, and what follows is a smartly crafted intellectual explosion of a romance. From their trip to Amsterdam to meet the reclusive Van Houten to their hilariously flirty repartee, readers will swoon on nearly every page. Green’s signature style shines: His carefully structured dialogue and razor-sharp characters brim with genuine intellect, humor and desire. He takes on Big Questions that might feel heavy-handed in the words of any other author: What do oblivion and living mean? Then he deftly parries them with humor: “My nostalgia is so extreme that I am capable of missing a swing my butt never actually touched.” Dog-earing of pages will no doubt ensue.
Green seamlessly bridges the gap between the present and the existential, and readers will need more than one box of tissues to make it through Hazel and Gus’ poignant journey. (Fiction. 15 & up)Pub Date: Jan. 10, 2012
ISBN: 978-0-525-47881-2
Page Count: 272
Publisher: Dutton
Review Posted Online: Jan. 9, 2012
Kirkus Reviews Issue: Jan. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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