A promising series opener for fans of the paranormal.

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DEAD AIR

From the Kat Sinclair Files series , Vol. 1

Thirteen-year-old Kat doesn’t believe in ghosts, but she might change her mind as she accompanies her dad while he films a TV show on the paranormal.

Her mother moved out a while ago, and Kat hasn’t been able to forgive her. Kat’s a skeptic about ghosts, but she’s excited that her dad has become the new host of Passport to Paranormal, which films in Europe. However, the show has low ratings, and Kat worries that her dad’s gig may be a short one. Meanwhile, she becomes involved with an online fan forum, then starts a blog that becomes a hit. As events progress, Kat begins to experience some major, possibly paranormal activity. When one of the show’s staff shows signs of possession, Kat grows suspicious that real ghosts might be at work but also worries that someone behind the scenes might be sabotaging the show. Can Kat solve the mystery even after her dad bans her from the set for interfering and spoiling the filming? Schusterman keeps the narrative light and completely accessible for middle school readers. She also gives Kat another kind of haunting experience: the Thing, a specter that might not be a ghost but that haunts Kat on a daily basis. It’s a nice touch that brings a bit of depth to a story that otherwise would merely be a suspense romp.

A promising series opener for fans of the paranormal. (Suspense. 10-13)

Pub Date: Sept. 1, 2015

ISBN: 978-0-448-47980-4

Page Count: 248

Publisher: Grosset & Dunlap

Review Posted Online: May 18, 2015

Kirkus Reviews Issue: June 15, 2015

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A sly, side-splitting hoot from start to finish.

THE MECHANICAL MIND OF JOHN COGGIN

The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.

Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)

A sly, side-splitting hoot from start to finish. (Adventure. 11-13)

Pub Date: April 12, 2016

ISBN: 978-0-06-234510-3

Page Count: 352

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: Dec. 22, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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A busy if ultimately tidy wrap-up for fans.

WORLDS COLLIDE

From the Land of Stories series , Vol. 6

Witches and other fictional baddies move to conquer this world when a portal opens between the Land of Stories and a branch of the New York Public Library.

For the finale to his popular series, Colfer recaps the first five episodes, then brings together most of the teeming cast to wage, as the narrator admits, “an overdue battle of good versus evil.” Flanked by a wish-fulfilling frame story in which Conner, one of the white twin protagonists, has grown up to become a revered writer of middle-grade fantasies, the climactic struggle begins with the portal’s opening in the sumptuous Rose Reading Room. It spreads to Central Park and other locales as the then-teenager and allies fictional or otherwise (including a lot of ineffectual Marines) square off against his powerfully gifted sister, Alex, the dastardly witches who have ensorcelled her, and a Literary Army led by (among others) the head-chopping Queen of Hearts. Many set pieces ensue, from a pitched battle with gingerbread soldiers to no fewer than six individual witch-fairy duels in a row—not to mention gags and one-liners aplenty, topical references, and adolescent posturing (“Knock it off, boys,” Merlin snaps at one point, “there are much bigger issues in this story”). With one exception, characters who die bleed words instead of blood, and all of the destruction in both worlds is neatly fixed at the end by an albino dragon ( see Book 3: A Grimm Warning). Dorman’s vignettes at the chapter heads offer glimpses of settings and characters.

A busy if ultimately tidy wrap-up for fans. (foldout map of lower Manhattan) (Fantasy. 10-13)

Pub Date: July 11, 2017

ISBN: 978-0-316-35589-6

Page Count: 448

Publisher: Little, Brown

Review Posted Online: Aug. 12, 2017

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