No cheap tear-jerker here, but a novel that tackles challenging material with honesty and a clear eye.
A Wisconsin college student becomes a caretaker for a victim of Lou Gehrig’s disease and forms a tender, surprising friendship in this fresh, accomplished first novel.
Becoming a caretaker for a mid-30s woman paralyzed by ALS requires someone with perhaps more maturity than the college junior Bec, who applies for the part-time job. Bec tries hard to learn how to wash and groom her diminutive, wheelchair-bound employer, Kate Norris, who can’t move except to turn her head and whose mostly intelligible speech is interpreted by her seemingly devoted husband, Evan. Bec is awkward at first in their spacious, colorful home, but quick to learn, and she’s never short on compassion for the lovely, cultured Kate, who is degenerating at a sickeningly fast pace. When Kate comes to the alarming decision to ask Evan to move out of their house because he has developed another relationship, Bec feels Kate’s betrayal viscerally, as her own boyfriend of several months, Liam, a literature professor at her school, is married and sees Bec only on the sly. Over the several months that Bec works for Kate, Bec learns to cook, choose wine, throw dinner parties and do other grownup things that have eluded her while studying advertising and sharing a house with her party pal, Jill. The friendship between Bec and Kate strengthens to the point at which Bec actually becomes Kate’s voice. The novel moves deliberately to the inevitable death of Kate, yet Bec’s advocacy on behalf of her friends allows the end to feel more like a beginning—even a celebration. Wildgen’s attention to detail demonstrates impressive maturity and skill.
No cheap tear-jerker here, but a novel that tackles challenging material with honesty and a clear eye.Pub Date: June 1, 2006
ISBN: 0-312-35229-8
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2006
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
Earnestly done, and correctly, but information trumps drama, and the heart is left out.
A carefully researched little novel, Otsuka’s first, about the US internment of Japanese citizens during WWII that’s perfect down to the tiniest detail but doesn’t stir the heart.
Shortly after the war begins, the father of an unnamed Japanese family of four in Berkeley, California, is taken from his home—not even given time to dress—and held for questioning. His wife and two children won’t see him until after war’s end four years later, when he’ll have been transformed into a suddenly very old man, afraid, broken, and unwilling to speak even a word about what happened to him. Meanwhile, from the spring of 1942 until the autumn after the armistice, the mother, age 42, with her son and daughter of 8 and 11, respectively, will be held in camps in high-desert Utah, treeless and windswept, where they’ll live in rows of wooden barracks offering little privacy, few amenities, and causing them to suffer—the mother especially—greater and greater difficulty in hanging on to any sense of hope or normality. The characters are denied even first names, perhaps as a way of giving them universality, but the device does nothing to counteract the reader’s ongoing difficulty in entering into them. Details abound—book titles, contemporary references (the Dionne quints, sugar rationing), keepsakes the children take to the camp (a watch, a blue stone), euthanizing the family dog the night before leaving for the camps—but still the narrative remains stubbornly at the surface, almost like an informational flow, causing the reader duly to acknowledge these many wrongs done to this unjustly uprooted and now appallingly deprived American family—but never finding a way to go deeper, to a place where the attention will be held rigid and the heart seized.
Earnestly done, and correctly, but information trumps drama, and the heart is left out.Pub Date: Sept. 6, 2002
ISBN: 0-375-41429-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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