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WINE PEOPLE

Likable and mildly informative but lacks punch.

Wildgen explores the world of wine through the vicissitudes of two women's friendship.

Wren works in operations and Thessaly in sales at the high-end Lionel Garrett Wine Imports. They are wary colleagues. Self-conscious about her working-class Midwestern origins and single-minded in her commitment to the wine business, Wren considers Thessaly, who grew up on a large vineyard in Sonoma, a “golden girl,” while Thessaly sees Wren as “one of those worker-bee types.” Wren envies Thessaly’s apparent confidence, but actually Thessaly’s confidence is shaky, especially concerning her private ambition to create her own wines—and she has a drinking problem. When Lionel announces he will soon be stepping away from the business without naming his successor, his company becomes a hotbed of competition. Much of the book reads like a tame version of the TV drama Succession as Lionel’s erudite, cultured acolytes backbite and undermine each other over sips of Bordeaux. Despite their mutual distrust, Thessaly and Wren end up joining forces to compete as a team in the otherwise mostly White male establishment. Though they don’t get the job, the women bond personally and professionally, Wren helping Thessaly control her drinking, Thessaly improving Wren’s awkward communication skills and calming her anxiety. But when they open their own business, the existing cracks in their friendship widen. Despite her discerning palate, Wren’s ambition lies in growing her distribution business, which means finding and pushing wines that are easier to sell to a wider audience. Although she’s the gifted salesperson, Thessaly’s ambition is more complicated, more idiosyncratic, and less traditional. Therefore she’s also the more interesting character. Although each woman gets a romance, their lives are defined by their relationships to wine. Wildgen’s eagerness to show and tell the ins and outs of winemaking and wine selling, including examples of chicanery but also nobility, is endearing, but she’s mapped out her plot and main characters too obviously to let the narrative breathe.

Likable and mildly informative but lacks punch.

Pub Date: Aug. 1, 2023

ISBN: 9798985282832

Page Count: 304

Publisher: Zibby Books

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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