by Michiko Kakutani ; illustrated by Dana Tanamachi ‧ RELEASE DATE: Oct. 20, 2020
A spirited, heartfelt homage to reading.
Pulitzer Prize winner Kakutani, former chief book critic at the New York Times, has been a capacious, eclectic reader since childhood. Aiming to encourage reading and rereading, she presents succinct essays on more than 130 books that she believes “deserve as wide an audience as possible,” ranging from the Odyssey to Ocean Vuong’s novel On Earth We’re Briefly Gorgeous, “an unsparing rumination on identity” published in 2019. In the introduction, Kakutani rehearses predictable assertions about the benefits of reading. Books, she writes, “can transport us back to the past” and “forward to idealized or dystopian futures,” take us to far-off places, and introduce us to beliefs different from our own. They “can surprise and move us, challenge our certainties, and goad us into reexamining our default settings.” The essays themselves are more perceptive, offering fresh, inspired assessments of a wide range of fiction, nonfiction, and poetry: memoir, biography, and history; social, political, environmental, and cultural analysis; nature writing; children’s books (she responds to six Dr. Seuss stories with her own, unfortunate, doggerel), and young adult fiction. Kakutani focuses on many canonical texts, including The Federalist Papers, George Washington’s Farewell Address, Moby-Dick, Frankenstein, Winesburg, Ohio, The Waste Land, The Great Gatsby, and Invisible Man; and on canonical authors, such as Saul Bellow, Philip Roth, George Orwell, and Toni Morrison. But surprises abound, including four books by and about Muhammad Ali (“a larger-than-life figure: not just an incandescent athlete dancing under the lights, but a man of conscience who spoke truth to power”); Richard Flanagan’s “dazzling, phantasmagorical” Gould’s Book of Fish; Tommy Orange’s “fierce, sad, funny, and transcendent novel” There, There; the Harry Potter books (“one of literature’s ultimate bildungsromans”; two “heart-stopping books” about the war on terror (David Finkel’s The Good Soldiers and Thank You for Your Service); and a sprightly biography of Frank Sinatra.
A spirited, heartfelt homage to reading.Pub Date: Oct. 20, 2020
ISBN: 978-0-525-57497-2
Page Count: 304
Publisher: Clarkson Potter
Review Posted Online: Aug. 25, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Bette Midler ; photographed by Michiko Kakutani ; illustrated by Joana Avillez
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by Sloane Crosley ‧ RELEASE DATE: Feb. 27, 2024
A marvelously tender memoir on suicide and loss.
An essayist and novelist turns her attention to the heartache of a friend’s suicide.
Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.
A marvelously tender memoir on suicide and loss.Pub Date: Feb. 27, 2024
ISBN: 9780374609849
Page Count: 208
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Sept. 19, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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