Even readers who don’t care for the endless bureaucratic infighting will have to admire this tour de force, in which...
The abduction of one of their own rouses the members of MI5’s dead-end Slough House (Dead Lions, 2013, etc.) to action once more.
As she’s the first to tell everyone, recovering alcoholic Catherine Standish has never been “a joe,” a field agent. She’s just the assistant to Jackson Lamb, who lords it over Slough House as if it weren’t the penultimate stop on the path from success in the Security Service to disgrace and oblivion. But that doesn’t stop her ex-lover Sean Donovan from scooping her up in a van, locking her in a room an hour outside London, and demanding in exchange for her return a copy of a most sensitive intelligence file. Naturally, River Cartwright, the colleague Catherine designates as the one she’d be most likely to trust with her life, makes a hash of his attempt to meet the ransom demand and ends up in a little room of his own being worked over by Nick Duffy of the Dogs, the service’s internal police. That’s no slur against him, though, because the savviest agent in the world (something River’s never come close to being on his best day) would never have suspected the truth about the rabbit hole Catherine’s tumbled down. Her kidnapping, it’s gradually revealed, is both more and less than it seems—less, because her abductors couldn’t be more considerate, except for the one who quickly gets killed; more, because the service itself is so torn between narcissistic careerists and warring factions battling for control that its fate, and presumably that of her majesty’s government, seems to hang in the balance.
Even readers who don’t care for the endless bureaucratic infighting will have to admire this tour de force, in which virtually every single player—good guys, bad guys, all the turncoats and in-betweeners—is somehow connected to British Intelligence.Pub Date: Jan. 19, 2016
ISBN: 978-1-61695-612-7
Page Count: 336
Publisher: Soho Crime
Review Posted Online: Jan. 9, 2016
Kirkus Reviews Issue: Jan. 15, 2016
PROFILES
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK TO SCREEN
SEEN & HEARD
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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