Once again, Herron captures the dramedy of the battle between spies and bureaucrats better than anyone else on either side.
As if its tendency to self-destruct weren’t efficient enough, the British establishment’s last depository for spies too old, compromised, or incompetent to defend queen and country is under attack from every side.
While the slow horses of Slough House gradually remove themselves from further embarrassment by dying off, their personal information is being methodically purged from government computers, except for the names and addresses that allow the survivors to keep getting paid. At the same time, someone who doesn’t think they’re dying fast enough has slimmed their rolls by executing veteran members Kay White and Struan Loy, reportedly as revenge for the killing of a murderous Russian agent on the orders of Diana Taverner, the First Chair at Regent’s Park. In the face of slashed budgets, power-hungry politician Peter Judd offers Slough House an exemption from the funding cuts, but there’s a catch: He expects them to invite millionaire news princeling Damien Cantor to a closer relationship than Jackson Lamb or any of his loyalists is comfortable with. Oh, and the money men Judd maintains he speaks for would “like you to ease off on your infiltration of the Yellow Vest movement.” Just asking, of course, he smoothly assures Diana. One way or the other, it seems certain that somebody—the Russians, the accountants, the press, the Grim Reaper—is coming for regulars Louisa Guy, River Cartwright, Lech Wicinski, and Catherine Standish—not to mention Shirley Dander, whose partners have already displayed a disconcerting habit of dying in harness.
Once again, Herron captures the dramedy of the battle between spies and bureaucrats better than anyone else on either side.Pub Date: Feb. 9, 2021
ISBN: 978-1-641-29236-8
Page Count: 312
Publisher: Soho Crime
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
A feisty storm of Greek tragedy headlined by three very modern women.
On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.
When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.
A feisty storm of Greek tragedy headlined by three very modern women.Pub Date: March 25, 2025
ISBN: 9780593875551
Page Count: 336
Publisher: Ballantine
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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