If readers aren’t math-curious at the start, they will be by the end.

READ REVIEW

COUNT ON ME

A young child explains a love of math and how it shapes the world.

Finding one’s passion is no easy feat, even (perhaps especially) when surrounded by everyone else’s. Dad loves to paint, Mom thrills at entomology, and a brother excels at music, but none of those quite fit. Neither does acting or dancing or cooking or singing or sports—all worthy activities but none of them the stuff of passion for the determined narrator. When everything has been tried, the protagonist is left with the simple truth—the one thing this child likes the most is math. Tanco unhurriedly unspools the protagonist’s passion as the text (occasionally punctuated with new vocabulary) notes how thoroughly the world is immersed in math, whether it’s in the form of geometric shapes on the playground, group problems at the dinner table, or paper-airplane trajectories. With each page turn, the lens and framework of math as a way to see the world takes shape. Without softening or hiding basic (but still complex) mathematical concepts, Tanco’s open, loose-lined illustrations offer visual dimension and definition, bridging, for instance, the unfamiliar concept of concentric circles with the everyday occurrence of water ripples. Further information can be found in a visual glossary. The narrator has light brown skin and a mass of brown, kinky curls; Mom has a similar look, and Dad presents white.

If readers aren’t math-curious at the start, they will be by the end. (Picture book. 5-8)

Pub Date: June 11, 2019

ISBN: 978-0-7352-6575-2

Page Count: 48

Publisher: Tundra

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia.

BUNHEADS

A young ballerina takes on her first starring role.

Young Misty has just begun taking ballet when her teacher announces auditions for the classic ballet Coppélia. Misty listens spellbound as Miss Bradley tells the story of the toymaker who creates a doll so lifelike it threatens to steal a boy’s heart away from his betrothed, Swanilda. Paired with a kind classmate, Misty works hard to perfect the steps and wins the part she’s wanted all along: Swanilda. As the book closes, Misty and her fellow dancers take their triumphant opening-night bows. Written in third person, the narrative follows a linear structure, but the storyline lacks conflict and therefore urgency. It functions more as an introduction to Coppélia than anything else, despite the oddly chosen title. Even those unfamiliar with Copeland’s legendary status as the first black principal ballerina for the American Ballet Theatre will predict the trite ending. The illustrations are an attractive combination of warm brown, yellow, and rosy mahogany. However, this combination also obscures variations in skin tone, especially among Misty’s classmates. Misty and her mother are depicted with brown hair and brown skin; Miss Bradley has red hair and pale skin. Additionally, there’s a disappointing lack of body-type diversity; the dancers are depicted as uniformly skinny with extremely long limbs. The precise linework captures movement, yet the humanity of dance is missing. Many ballet steps are illustrated clearly, but some might confuse readers unfamiliar with ballet terminology. (This book was reviewed digitally with 10.5-by-18-inch double-page spreads viewed at 48% of actual size.)

A predictable ballet tale for die-hard Copeland fans or as an introduction to Coppélia. (Picture book. 5-8)

Pub Date: Sept. 29, 2020

ISBN: 978-0-399-54764-5

Page Count: 32

Publisher: Putnam

Review Posted Online: June 16, 2020

Kirkus Reviews Issue: July 1, 2020

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