Unsatisfying and not recommended.

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THE UNQUIET

At age 6, Lira was plucked from an orphanage and sent to a duplicate of Earth, with one crucial difference: unlike her current planet, that Earth is not disappearing, along with all the life it contains.

Each person on each Earth has a counterpart on the other, an alternate. Facing extinction, Lira’s world sends children to the other Earth, where they’re hidden and trained to kill and replace their alternates and then, in sleeper cells, assist the stealth invasion. Secreted in rural France, first in underground bunkers then in cottages in the care of a brutal overseer, Lira’s cohort must take pills daily to tolerate extraterrestrial conditions. Trained in combat, taught to mistrust one another, the survivors, like Lira, become “sleepers,” stepping undetected into the family lives of their dead alternates. Despite growing affection for her new grandparents and sister, Lira drugs them to sleep when she carries out her handler’s orders at night. The premise goes largely undeveloped, and key events go undescribed. Living with her new family, Lira never wonders about her original one as she follows orders with glum detachment. Her vague, elegiac musings lack focus. Simple vocabulary and syntax notwithstanding, generic settings, confusing chronology, and inconsistent plot and characterization make this anything but an easy read. Awkward images (“the first whimper of sunrise”)—pathetic fallacies especially (“a group of fireflies sidles past”)—don’t help.

Unsatisfying and not recommended. (Science fiction. 14-18)

Pub Date: Sept. 22, 2015

ISBN: 978-0-06-238127-9

Page Count: 464

Publisher: Greenwillow Books

Review Posted Online: May 18, 2015

Kirkus Reviews Issue: June 15, 2015

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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A riveting tour de force.

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SADIE

Sadie is seeking her sister’s killer; months later, podcast producer West McCray seeks to learn why Sadie abandoned her car and vanished.

When Mattie was born to Claire, a white, drug-addicted, single mother, Sadie, 6, became her de facto parent. Her baby sister’s love filled a hole in Sadie’s fiercely protective heart. Claire favored Mattie, who remained attached to her long after Claire disappeared from their grim, trailer-park home in rural Colorado. Sadie believes that Mattie’s determination to find Claire—which Sadie opposed—led to her brutal murder at age 13. Now 19, Sadie sets out to find and kill the man she holds responsible for her sister’s murder. Interwoven with Sadie’s first-person account is the transcript of McCray’s podcast series, The Girls, tracking his efforts to learn what’s happened to Sadie, prompted and partly guided by the sisters’ sympathetic neighbor. West’s off-the-record conversations are also included. Sadie is smart, observant, tough, and at times heartbreakingly vulnerable, her interactions mediated by a profound stutter. In the podcast, characters first seen through Sadie’s ruthless eyes further reveal (or conceal) their interactions and motives. Like Salla Simukka’s Lumikki Andersson, Sadie’s a powerful avatar: the justice-seeking loner incarnated as a teenage girl. Sadie exempts no one—including herself—from her unsparing judgment. Conveyed indirectly through its effect on victims, child sexual abuse permeates the novel as does poverty’s intergenerational legacy.

A riveting tour de force. (Thriller. 14-18)

Pub Date: Sept. 4, 2018

ISBN: 978-1-250-10571-4

Page Count: 320

Publisher: Wednesday Books

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

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