A thoroughly enjoyable assemblage of old-time science fiction.
A collection of sci-fi short stories about Mars, from the late 19th century through the 1960s, including tales from H.G. Wells, Ray Bradbury, and others.
In the 1880s, Italian astronomer Giovanni Schiaparelli noted that Mars’ surface seem to show a number of straight lines. The word he used to describe them (canali, meaning “channel”) was mistranslated in English as “canal.” The idea of Martian canals—and with it, the possibility of intelligent life—seized fiction writers’ imaginations. This collection chronicles this golden age of Martian fiction, which would last until NASA’s Mariner 4 spacecraft took close-up pictures of Mars’ surface in 1965, ending speculation about life on the red planet. The collection is prefaced with a history of Mars in fiction, and each story in the collection leads off with interesting biographical details about its author and what specific scientific ideas of the era may have informed its writing. For example, “Crucifixus Etiam” by Walter M. Miller Jr. (best known for A Canticle For Leibowitz) is prefaced with 1940s-era details of the Martian atmosphere; the story features a common idea among writers of the time—that Peruvians, Chileans, and Tibetans, who were already used to breathing similarly rarefied air, would make ideal Mars colonists. Despite the advanced age of some of these tales, they’re sure to keep the interest of modern readers. The sole exception is E.C. Tubb’s 1955 story of Mars colonization, “Without Bugles”; although well-written, its portrayal of a manly, stoic hero and the woman who loves him feels dated. By contrast, Bradbury’s 1950 “Ylla,” a tense, taut portrait of an unhappy Martian woman and her jealous husband, feels as if it could have been written today. Other stories by less well-known authors also shine: “The Great Sacrifice,” written by George C. Wallis in 1903, tells an exceptional story of intelligent beings on Mars putting their entire planet into the path of a deadly meteor storm, destroying themselves so that Earth may survive.
A thoroughly enjoyable assemblage of old-time science fiction.Pub Date: Oct. 22, 2018
ISBN: 978-0-226-57508-7
Page Count: 304
Publisher: Univ. of Chicago
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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