by Mike Cooper ‧ RELEASE DATE: Sept. 5, 2017
A taut caper whose high-tech trappings neatly complement its old-fashioned formula. Happy New Year.
Introducing Finn, a one-named thief whose plans to go straight once his seven years in stir are up last only one night before he signs on for an elaborate new haul.
Wes Schiller, who runs Heart Pine Investments, isn’t the ideal employer for Finn. As one of only four other men who knew of Finn’s plans to rob an ore train, he may have been the informant who sent him to prison. But robbers can’t be choosers, and hours after learning that he’s cut off from the cash he stashed in a safe-deposit box that wasn’t as safe as he thought, Finn is listening to Wes’ pitch to break into a heavily fortified commodities vault in a New Jersey railroad yard that’s currently storing several tons of rhodium and swap it for the counterfeit rhodium Wes has recently and unwisely acquired. Neither conspirator notices the similarity of the scheme to the plot of Goldfinger (the movie, not the book), but Cooper (Full Ratchet, 2013, etc.) has plenty of twists of his own in reserve. To the crew who arranged the disastrous ore-train heist—Jake, Asher, Corman—Finn adds computer expert Nicola Juravik; Wes insists that all communications to him go through Emily Hale, the chief compliance officer who first picked up Finn when he was sprung; Finn schedules the job for New Year’s Eve, unaware that special railway agent David Keegan has plans of his own for that very night; and pesky logistical problems start to crop up. “Just once, I’d like something to go smooth,” complains one of the gang, prompting the reassurance: “There’s always a plan B.” The inevitable complications, missteps, and double crosses are met with ever more ingenious and desperate workarounds, many involving fresh felonies, side deals, and triple crosses, till you won’t know whom to root for or what difference it makes.
A taut caper whose high-tech trappings neatly complement its old-fashioned formula. Happy New Year.Pub Date: Sept. 5, 2017
ISBN: 978-1-5040-4461-5
Page Count: 300
Publisher: MysteriousPress.com
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Mike Cooper
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
Awards & Accolades
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51
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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