Slick and quick.
Britisher Gayle (My Legendary Girlfriend, 2002) bowls another one down the lad-lit lane with this slight and lighthearted riff on fatherhood.
Dave, the Trinidadian music critic for Louder, “the magazine for people who live music,” and Izzy, his Anglo-Welsh-Polish wife, the deputy editor of the glossy women’s magazine Femme, are “poster children for the twin-income no-kids generation”—until the evening they set out to disprove an article Izzy has just edited on the decline in sexual activity among thirtysomething couples. Within weeks, the two are awaiting the results of a home pregnancy test. Dave finds himself more excited than Izzy about pending parenthood, and he writes a syrupy letter that begins, “Dear Foetus . . . .” When Izzy miscarries, Dave is eager to try again. Not she. Crisis Number One. Then Louder folds, and Dave slides into writing “sensitive male” articles for Femme and sitting in as an advice columnist at Teen Scene. He’s a surprise success at “Love Doctoring,” and his teenaged readers include one Nicola O’Connell, who writes him a letter identifying herself as Dave’s love-child, the result of a one-night stand with her mother in 1986 in Corfu. She’s recognized him from the photo on his column. Dave begins a clandestine parenting relationship with Nicola, meeting at a Burger King and beginning to feel like her father. But what to tell Izzy? All this is sappy at times, but Gayle is most nuanced in detailing Dave’s growing attachment to his daughter, and the complications her existence—and his secrecy—bring to his marriage. Along the way, the story’s enlivened by witty and knowing descriptions of the magazine world, including a sardonic pastiche of articles written from the sensitive guy’s point of view (“Women and the messages they leave on men’s answerphones”) and samples from Dave’s column (“Dear Love Doctor Dave, My dad caught me and my boyfriend lying on my bed kissing and he went ballistic. . . .”).
Slick and quick.Pub Date: July 1, 2004
ISBN: 0-7434-7766-9
Page Count: 352
Publisher: Downtown Press/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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