A miscalculated satiric fantasy that treads too-familiar ground.
The son of a fallen Dark Lord looks for his own place in the world.
Azrael Bal Gorath the Wicked—“Wick” to his friends—is the heir to the throne of the grim folk. Wick’s father, the Dark Lord, ruled over ogres, orcs, goblins, witches, and warlocks alike until he vanished after fighting the faire folk’s champion, Galorian (a “good” wizard). The absent lord left nothing behind for his son, hoping the lack of titles and status would help build Wick’s character. Wick (a white preteen with a shock of red hair) spends his days evading bullies and dreaming of having the power to move on past his struggles in Remedial Spell Casting. The novel is a promising if curious blend of Dungeons and Dragons fantasy world and the typical “diary of an underdog middle schooler” fare, but the enterprise never quite gets off the ground. There’s a lot of worldbuilding up front, and the day-to-day banality doesn’t jibe well with the big-picture conflicts between the faire folk and the grim world. The novel also overstays its welcome, coming in at well over 300 pages of disjointed and poorly structured story. Wick is unpleasant, the world he inhabits is boilerplate fantasy, and his story feels sluggish when it should be brisk and rushed when it should take its time.
A miscalculated satiric fantasy that treads too-familiar ground. (Fantasy. 8-12)Pub Date: Jan. 28, 2020
ISBN: 978-1-5247-4081-8
Page Count: 352
Publisher: Putnam
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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