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Scenes and Sequels

HOW TO WRITE PAGE-TURNING FICTION

A rare and mostly engaging dive into the nitty-gritty of scene construction.

Klaassen (Hansel and Gretel, 2016, etc.) discusses the foundational structures of fiction in this how-to guide to writing.

According to the author, the essential one-two punch of writing fiction is the scene, which he defines as “a passage of writing in which a character attempts to achieve a goal,” and what he terms the “sequel,” “a passage of writing in which the character reacts to the resolution of a scene.” Although people are generally familiar with the first concept, Klaassen argues that the sequel is just as important, as it places the events of a scene within an emotional context for the character and, thus, for the reader. The book gets into specifics regarding the purposes, goals, and ideal structures of both scenes and sequels, as well as other types of passages that one might encounter (including passages of interiority, activity, and problem-solving), in addition to troubleshooting tips for editing a manuscript. Klaassen also includes an extensive glossary of craft terms that apply to fiction so that readers may learn how to properly think and talk about their own projects. The author’s prose is crisp and clinical, and his book reads quickly despite its interest in minutiae. In this follow-up to his earlier, more comprehensive guide to fiction, 2015’s Fiction-Writing Modes, it’s fun to see him go deep into one specific area of the craft. It seems, though, that he might have come up with a better term than “sequel” for the introspective passages that follow scenes, given its other, more well-known meaning. The book also devotes an inordinate number of pages to simply explaining its focus, parsing through various definitions and related concepts borrowed from other writing guides. That said, most of Klaassen’s dissections of the different types of passages are quite thoughtful and illuminating. Although this book isn’t as valuable an aid as Fiction-Writing Modes, it does serve as a useful companion work, and more experienced writers may particularly benefit from its critical analysis.

A rare and mostly engaging dive into the nitty-gritty of scene construction.

Pub Date: April 28, 2016

ISBN: 978-1-68222-907-1

Page Count: 200

Publisher: BookBaby

Review Posted Online: Aug. 31, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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