Next book

MOO HOO

A winning display of finding the high ground and paved with particularly sweet verbal compression. (Picture book. 3-6)

It comes as a delight how much fun can be wrung from the words "moo" and "hoo."     

Cow and Owl are young chums (and bear a keen resemblance to Frog and Rabbit, the spawn of Ryan and Lowery's terrific first collaboration, Ribbit Rabbit, 2011). Being what they are, the words moo and hoo spin freely in their orbit and trigger like words depending on what they are doing. They fix things together: "Moo Hoo. Glue Shoe." They trick-or-treat together: "Moo Hoo. Boo! Boo!" Although Ryan fills in some narrative context, it is these tiny, rhymed sound-words that express the emotional range of the story, which is whopping in its brevity (aided and abetted by Lowery's dear, spindly creatures, with their disarming gestures and primitive toys). When a young kangaroo enters the scene—"Who you?" "Roo new"—Cow and Owl are standoffish. Roo wants to join in—"Roo too?"—but no deal. "Roo blue." It breaks your heart. Cow and Owl do see the error in their ways, and Kangaroo enters the fold. "Woo hoo!" 

A winning display of finding the high ground and paved with particularly sweet verbal compression.  (Picture book. 3-6)

Pub Date: April 10, 2012

ISBN: 978-0-8027-2336-9

Page Count: 32

Publisher: Walker

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

Next book

LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

Close Quickview