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MARIGOLD BAKES A CAKE

Even taking into consideration the anemic finale, the joy evident in Marigold’s meticulous attention to his confectionery...

A pinch of finch? A smidgen of pigeon? Marigold the persnickety perfectionist pussycat knows what his cake doesn’t need—a kitchen filled with toque-headed birdbrains.

But despite best-laid plans (Monday is, after all, baking day), the marmalade cat’s inner sanctum gradually calls to mind Mel Brooks’ version of Hitchcock. When a trio of loons materializes, Marigold loses it. Fangs bared, claws extended, and fur spiked, Marigold explodes in a “full-on feline frenzy!” Throughout the mad apron-slinging and -flinging, the birds remain laughingly unflappable—well, they do flap, but their grins remain in place. Tossing in the towel, he abandons the culinary chaos and stomps from the house. Malbrough’s sprightly illustrations chronicle the comic progression from Marigold’s serene satisfaction to his Vesuvian outbursts. The birds’ reactions are perfect foils to Marigold’s devolution from erudite to feral. The sharply focused watercolors against the crisp white background are as successful as the economic text in setting up Marigold for epic failure. The escalating tension raises expectations of a rousing payoff. To the detriment of the well-developed storyline and lively language, Malbrough appears to vacillate between wanting to develop a mentoring/teaching partnership between Marigold and his avian interlopers and fueling the traditional adversarial cat-bird relationship.

Even taking into consideration the anemic finale, the joy evident in Marigold’s meticulous attention to his confectionery creations may be enough to satisfy young pastry chefs–in-the-making. (Picture book. 3-7)

Pub Date: July 18, 2017

ISBN: 978-1-5247-3738-2

Page Count: 40

Publisher: Philomel

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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UNFUNNY BUNNY

No laugh track required: This story should generate genuine giggles.

Saturday Night Live mainstay Thompson makes his picture-book debut with the tale of a young rabbit who discovers that being the class clown is harder than it looks.

To make a splash on his first day of school, Bunny decides to adopt a new persona: Funny Bunny. He performs his act for his classmates, who are a tough audience…or is the material the problem? (Sample joke: “What town does milk come from? Milk-waukee!”) Actually, Bunny wins over one classmate: Hedgehog thinks Bunny has comedy chops and just needs practice. This gives Bunny an idea: Why don’t they work together? (Thompson’s co-author knows something about collaborating on jokes: Tucker has been an SNL writer for two decades.) Bunny and Hedgehog’s writing sessions are fruitful, and when Bunny tries out his new material on his classmates, he brings down the house. Clearly, teamwork and persistence pay off in this silly yet heartening tale, although laughs aren’t Bunny’s only reward. In Hedgehog he has found a friend (and, from the looks of things, perhaps a manager). The book’s jokes, including two pages’ worth that conclude the story, will be manna for punsters, who presumably aren’t supposed to notice that there’s no qualitative difference between the jokes that amused Bunny’s class and the ones that bombed. Neal’s appealing digital art focuses heavily on reaction shots from an all-animal cast living in a world of amusement park colors.

No laugh track required: This story should generate genuine giggles. (Picture book. 3-6)

Pub Date: Jan. 13, 2026

ISBN: 9781250364814

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: Nov. 2, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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