Even taking into consideration the anemic finale, the joy evident in Marigold’s meticulous attention to his confectionery...
A pinch of finch? A smidgen of pigeon? Marigold the persnickety perfectionist pussycat knows what his cake doesn’t need—a kitchen filled with toque-headed birdbrains.
But despite best-laid plans (Monday is, after all, baking day), the marmalade cat’s inner sanctum gradually calls to mind Mel Brooks’ version of Hitchcock. When a trio of loons materializes, Marigold loses it. Fangs bared, claws extended, and fur spiked, Marigold explodes in a “full-on feline frenzy!” Throughout the mad apron-slinging and -flinging, the birds remain laughingly unflappable—well, they do flap, but their grins remain in place. Tossing in the towel, he abandons the culinary chaos and stomps from the house. Malbrough’s sprightly illustrations chronicle the comic progression from Marigold’s serene satisfaction to his Vesuvian outbursts. The birds’ reactions are perfect foils to Marigold’s devolution from erudite to feral. The sharply focused watercolors against the crisp white background are as successful as the economic text in setting up Marigold for epic failure. The escalating tension raises expectations of a rousing payoff. To the detriment of the well-developed storyline and lively language, Malbrough appears to vacillate between wanting to develop a mentoring/teaching partnership between Marigold and his avian interlopers and fueling the traditional adversarial cat-bird relationship.
Even taking into consideration the anemic finale, the joy evident in Marigold’s meticulous attention to his confectionery creations may be enough to satisfy young pastry chefs–in-the-making. (Picture book. 3-7)Pub Date: July 18, 2017
ISBN: 978-1-5247-3738-2
Page Count: 40
Publisher: Philomel
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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