Next book

JOE GOLEM AND THE DROWNING CITY

Mignola’s affectionate, Kirby-esque portraits compliment Golden’s imaginative, YA-friendly prose.

An adolescent orphan navigates a subterranean world of magic and technology with the help of an aged detective and his mysterious square-jawed protector.

There’s an appetite out there for these sorts of propulsive, fantasy-rich mash-ups of steampunk and mythic literature, as evidenced by the likes of the video game Bioshock and Alan Moore’s The League of Extraordinary Gentlemen. But few combine literary sincerity and fun as well as Mignola (creator of the comic-book superhero Hellboy) and sometime collaborator Golden (Baltimore, or, The Steadfast Tin Soldier and the Vampire, 2007, etc.). Here the pair construct a rich world ripe for sequels and prequels. In their version of New York City, a cataclysm flooded the place in 1925, sinking Lower Manhattan in what has become known as “The Drowning City.” An elderly necromancer named Felix Orlov has taken 14-year-old redhead Molly McHugh under his protection. When malevolent gas-masked intruders attack, Molly is saved by an enormous boxer-nosed brute named Joe. It turns out that Joe works for an ancient Holmsian detective, Simon Church, who inspired dozens of stories and novels but whose real work is keeping tabs on the city’s occult activity. “Give me honest ghosts, a vampire hungry for blood, boggarts that eat children…that’s more my area,” says Church. “Not this vast, unknowable cosmic lunacy.” For decades, Church has been hunting the malevolent Dr. Cocteau, a brilliant and elusive villain who’s gotten his hands on a powerful artifact called Lector’s Pentajumlum. Steely-eyed but an amnesiac, Joe instinctually becomes Molly’s protector, but the dreams of this Croatian behemoth are of killing witches, a tidbit that becomes important later in the story. With Jules Verne technology, ghosts, magic and multidimensional monsters, it doesn’t fall that far from Mignola’s Hellboy origins, but it’s an awfully fun way to pass an afternoon.

Mignola’s affectionate, Kirby-esque portraits compliment Golden’s imaginative, YA-friendly prose. 

Pub Date: April 3, 2012

ISBN: 978-0-312-64473-4

Page Count: 288

Publisher: St. Martin's

Review Posted Online: Feb. 19, 2012

Kirkus Reviews Issue: March 1, 2012

Next book

THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

Next book

DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

Close Quickview