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A BURNING OBSESSION

Notable mainly for uniting the author’s two franchise investigators. Let’s see what happens next.

A criminal profiler and a hostage negotiator go up against a murderous cult leader from the negotiator’s past—and, to a lesser extent, up against each other.

Years after surviving the Wilcox Cult Massacre, Lt. Abby Mullen, NYPD, gets wind of a cult leader out West who’s evidently just as obsessed with punishing his enemies by fire as Moses Wilcox was when she was a child—his child. In the first of many non-surprises, the new firebug turns out to be Wilcox, risen from the ashes and now calling himself Father Moses Williams. Abby, who has plenty of traumatic background experience but zero official standing, does her best to push her way into the investigation, but FBI agent Tatum Gray isn’t terribly receptive, and consulting profiler Dr. Zoe Bentley is downright hostile. Impervious to their lack of encouragement and desperate for a chance to neutralize Wilcox at last, Abby continues to crash their party at every opportunity. In the meantime, Wilcox, whose messianic preaching to his rapt followers conceals nothing more original than a drive for sex, coercive power, and coerced sex, has set his sights on a new target: Delilah Eckert, who’s taken her two children and gone on the run from her abusive husband, Brad. Wilcox’s followers swarm around Delilah like cartoon minions, assuring her constantly what a great mother she is, and she’s soon addicted to this community of affirmation and easy prey for their leader. Whenever Wilcox senses danger, he has his devoted disciples set fire to their lodgings and move on from Wyoming to Idaho to California. The flames grow ever higher, but suspense never rises above a simmer.

Notable mainly for uniting the author’s two franchise investigators. Let’s see what happens next.

Pub Date: Nov. 8, 2022

ISBN: 978-1-5420-3432-6

Page Count: 381

Publisher: Thomas & Mercer

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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THE WOMAN IN SUITE 11

An enjoyable visit with an old character, but not one of Ware’s strongest.

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Travel writer Lo Blacklock is back. Ten years after the events of The Woman in Cabin 10 (2016), she's attending the opening of a lavish Swiss hotel when, once again, a mystery intervenes.

A decade after she almost died on a luxury cruise and ended up exposing a murder plot, travel journalist Laura “Lo” Blacklock is trying to get back into the business post-Covid-19 and post–maternity leave. When she's invited to an exclusive hotel launch by the Leidmann Group on the shores of Switzerland’s gorgeous Lake Geneva, her supportive husband, Judah, insists that she should go, and her old boss, Rowan, says that if Lo can score an interview with the reclusive Marcus Leidmann, she’ll publish it in the Financial Times. Leaving Judah and the kids at home in New York, Lo is surprised by a last-minute upgrade to first class, which kicks off her trip in style. The hotel is appropriately awe-inspiring in both scenic location and effortless luxury, and Lo starts to put the memories of last trip’s trauma behind her, thinking that maybe she can just enjoy the experience this time. But then, at dinner, she's surprised to see at least three guests who were also on that original cruise, and when she finds a mysterious note in her room saying "Please come to suite 11 as soon as possible," she gets another shock. To quote William Faulkner, she realizes that “the past is never dead,” and soon Lo is careening across Europe on her way to England, only to find herself embroiled in another murder. The back half of the novel offers her the opportunity to continue her amateur sleuthing, and while she avoids much of the physical danger that plagued her on the cruise a decade ago, she is in very real legal trouble. This is the prolific Ware’s first sequel, and it's fun to spend time with Lo again, as she's both savvy and kindhearted. Unfortunately, the mystery is not as atmospheric and gripping as usual for Ware, though even a lesser Ruth Ware thriller is still worth reading.

An enjoyable visit with an old character, but not one of Ware’s strongest.

Pub Date: July 8, 2025

ISBN: 9781668025628

Page Count: 400

Publisher: Scout Press/Simon & Schuster

Review Posted Online: April 4, 2025

Kirkus Reviews Issue: May 1, 2025

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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