An expert ticking-clock suspenser best consumed in one prodigious gulp.
The creator of FBI profiler Zoe Bentley—last seen in Thicker Than Blood (2020)—launches a new series starring a hostage negotiator whose past makes her just perfect for this case in both good ways and bad.
Eight-year-old Nathan Fletcher is kidnapped on the way home from his school bus stop by someone who demands a ransom of $5 million. It’s clearly an impossible sum for his mother, dental office assistant Eden Fletcher, to raise. Distraught because the caller told her she’s being watched, she reaches out to Lt. Abby Mullen of the New York Police Department, with whom she shares a terrible secret: As children, they were two of the only three survivors of cult leader Moses Wilcox’s suicidal standoff with the police. That bond, which is so frayed that Abby doesn’t even recognize Edie when she responds to her plea for help, will become pivotal because Edie’s ex-husband, David Huff, remained behind as one of the mainstays of a different cult run by Otis Tillman when his wife and their two children fled. Now, one of those children holds the key to the other’s well-being, for the man who snatched Nathan never imagines that Edie will come up with the money; he expects her daughter, Gabrielle, to raise it through the thousands of followers she’s collected as a teenage social influencer. The fact that the kidnapper is holding Nathan in a locked room furnished and decorated to look exactly like his own bedroom suggests an unusually deep-laid plan. Can Abby see around the twists Omer throws at her to rescue the boy before it’s too late?
An expert ticking-clock suspenser best consumed in one prodigious gulp.Pub Date: April 1, 2021
ISBN: 978-1-5420-2287-3
Page Count: 444
Publisher: Thomas & Mercer
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.
The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.
When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”
Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.Pub Date: April 9, 2024
ISBN: 9781668010440
Page Count: 368
Publisher: Marysue Rucci Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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