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DEAD LIGHT

Pace crafts compelling characters in service to a thrilling plot, with narrative riches in a vein thought by many to be...

Awards & Accolades

Our Verdict

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Pace’s debut supernatural thriller follows Sheriff Estin Booker as he faces off against the ultimate cosmic force. 

In Cumberton, Md., trouble begins soon after a construction crew unearths a small wooden box at the site of a new dormitory at the local Christian college. Trapped within the box is Lucifer’s Light, a tool that can bring about a worldwide descent into Hell. Once released, it begins rapidly claiming souls, driving young and old to commit horrific suicides under the amplified guilt of any past transgressions. Assisted by a lovely but hard-bitten Baltimore detective on forced vacation, Booker investigates to the best of his ability. But with the Light on the loose and demonic enforcers on call, even being armed and faithful may not be enough. While satanic thrillers may have gone out of vogue in the ’70s, Pace makes a good argument for reviving the genre, bringing hard-edged rationality and modern investigative techniques to bear on his supernatural plot. Despite frequent flashbacks that span nearly four centuries, the plot flows with clarity and economy, maintaining a narrative rhythm that provides all the information readers need without rushing the story. Some of the character flourishes aren’t as successful—the enforced using of “shuck” instead of the F-word quickly grates on the reader’s internal ear, defeating its purpose—but overall, the players are more well-rounded than strictly called for by the genre. Characters that might seem to be antagonistic, such as the TV evangelist who founded the college, turn out to have surprising depth and sympathies—making their eventual fates more rewarding or, in some cases, heartbreaking.

Pace crafts compelling characters in service to a thrilling plot, with narrative riches in a vein thought by many to be played out.

Pub Date: March 5, 2012

ISBN: 978-0615518428

Page Count: 450

Publisher: River Point Press

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: May 1, 2012

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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