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THE INDENTURED

A melodramatic historical tale that’s too eager to offer moral lessons.

A blacksmith leaves his native England in search of a better life for himself and his wife in this love story set in the 17th century.

John Dairyman was destined to be just what his name indicated—a poor dairy farmer, just like his father, James. But when he’s 12 years old, he’s given a chance to apprentice with William, the local blacksmith—a lucky opportunity to improve his future prospects. John is an indefatigable worker, and uncommonly gifted—more like an artist than a tradesman—and his talent becomes widely recognized. However, William, an “intolerant and fiendish master,” subjects John to cruel humiliation and physical abuse. At one point, William nearly burns his own barn down and blames it on his apprentice. Around the same time, John falls in love with Chastity, a beautiful neighbor. She not only teaches him how to read and write, but also introduces him to Christianity—a revelatory experience that changes his outlook on life, which Prater (The Long Road Home, 2014) describes in achingly earnest terms. To avoid William’s wrath, John feels compelled to sign papers of indentured servitude and sets sail for Boston, but he falls prey to an unscrupulous captain who takes advantage of his skills. Chastity follows to become a governess in the New World, where she turns into the target of a man’s predatory advances. The backbone of Prater’s intelligent story is John’s unbending character and his uncompromising submission to obligation. The author also artfully captures how human immorality can easily surface when opportunity allows it. However, the narrative often devolves into sententious proselytizing, and at times, the prose can be almost childlike in tone: “James knew an amazing gift had just been given him. The offer of such a gift filled him with warmth. He felt joy beyond all that could be imagined. He thought, So this is what I have been missing.”

A melodramatic historical tale that’s too eager to offer moral lessons. 

Pub Date: Aug. 2, 2018

ISBN: 978-1-973631-21-7

Page Count: 314

Publisher: Westbow Press

Review Posted Online: Nov. 19, 2018

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THE CHOSEN

This first novel, ostensibly about the friendship between two boys, Reuven and Danny, from the time when they are fourteen on opposing yeshiva ball clubs, is actually a gently didactic differentiation between two aspects of the Jewish faith, the Hasidic and the Orthodox. Primarily the Hasidic, the little known mystics with their beards, earlocks and stringently reclusive way of life. According to Reuven's father who is a Zionist, an activist, they are fanatics; according to Danny's, other Jews are apostates and Zionists "goyim." The schisms here are reflected through discussions, between fathers and sons, and through the separation imposed on the two boys for two years which still does not affect their lasting friendship or enduring hopes: Danny goes on to become a psychiatrist refusing his inherited position of "tzaddik"; Reuven a rabbi.... The explanation, in fact exegesis, of Jewish culture and learning, of the special dedication of the Hasidic with its emphasis on mind and soul, is done in sufficiently facile form to engage one's interest and sentiment. The publishers however see a much wider audience for The Chosen. If they "rub their tzitzis for good luck,"—perhaps—although we doubt it.

Pub Date: April 28, 1967

ISBN: 0449911543

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: April 6, 2012

Kirkus Reviews Issue: April 1, 1967

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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