This dynamic, genre-bending tale involving dreams and the Roanoke Colony delivers new discoveries and venerable truths.
A debut historical novel weaves a tale of youth, conflict, loss, and choice through one of America’s greatest mysteries.
Allie O’Shay has, in some ways, left her past behind, departing her family’s cattle ranch to pursue a doctorate in psychology. But the past is no simple thing, and Allie begins having strange, impossibly vivid dreams that seem to be genuine history, not fantasy. The dreams center on the Roanoke Colony, filling in the gaps of just how the settlement vanished. In particular, Allie feels drawn to a young colonist named Emily Colman, who’s particularly embroiled in the turmoil of Roanoke. Emily’s story offers a portrait of the colony: the escalating tensions and disastrous errors in dealing with the local Native American tribes, and the elation and grief as both new life and swift death come to Roanoke. Finally, there are Emily’s own timeless tribulations, as she contends with the romantic attentions of multiple men and faces a decision that could take her life places she never thought possible. Allie struggles to make sense of the dreams, and turns to everything from family history to cutting-edge dream theory to drugs in order to delve deeper. What’s more, as conditions in Emily’s timeline deteriorate, Allie learns she may be approaching an end to the dreams, leading to a terrifying conclusion that has wreaked havoc on the minds of women throughout her family line. Rhynard’s two compelling tales manage to combine powerful emotionality with thorough research, as both the investigations into dream theory in the present timeline and the colonial activities of the past are deftly detailed without overwhelming the characters or story. Similarly, while the narration centers on Emily and Allie, it also effectively incorporates the perspectives of all the other significant characters without becoming confusing. It’s possible that a chapter with more descriptions of Allie’s life immediately before the dreams began would have allowed readers to connect with her more in the novel’s early parts. But the suspense of the Roanoke story provides plenty of incentive to keep reading until Allie’s sections develop more weight.
This dynamic, genre-bending tale involving dreams and the Roanoke Colony delivers new discoveries and venerable truths.Pub Date: Aug. 9, 2016
ISBN: 978-1-5347-4081-5
Page Count: 612
Publisher: CreateSpace
Review Posted Online: Dec. 12, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
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