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HENRI'S HATS

From the Pixar Animation Studios Artist Showcase series

A book full of the promise of remarkable experiences to come.

Kids rarely know all the hats their grandfathers have worn, but Henri gets a whole trunkful of history in the attic chest of his Grand-Papa.

Young Henri and his mother go for a visit to his Grand-Papa’s (known to Henri as Papa). The resident dog grabs Henri’s cap and runs upstairs with it, all the way to the attic. There sits a chest that is full of all sorts of hats: a race car driver’s, a deep-sea diver’s, a ringmaster’s, a ship’s captain’s, a pilot’s helmet. And with each one that Henri dons, he has a little imaginary adventure in the deep, high in the sky, on the ocean waves. Finally, Grand-Papa finds Henri and tells the little boy that he wore these hats in real life, as a racer and sailor and aviator and deep-sea diver. He then leads Henri up the circular staircase to the widow’s walk and points to the moon. He had wished to have an adventure there, but maybe Henri could do it for him. Wu’s storytelling is crisp and cinematic, and his artwork reflects his day job at Pixar Studios, but it is the promise of life holding adventure that drives this book. Grand-Papa had those adventures of a lifetime but now is an old and creaky gentleman, so if this old geezer could have had all those exciting times, just think what is in store for readers. Henri, his mother, and Grand-Papa all have pale skin.

A book full of the promise of remarkable experiences to come. (Picture book. 4-8)

Pub Date: Sept. 4, 2018

ISBN: 978-1-4847-0903-0

Page Count: 48

Publisher: Disney Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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HANSEL AND GRETEL

Menacing and most likely to appeal to established fans of its co-creators.

Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

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