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HOLLYWOOD PARK

A MEMOIR

A musician proves himself a talented, if long-winded, writer with a very good memory.

A painstaking emotional accounting of a tortured youth ultimately redeemed through music, therapy, and love.

In his debut, Jollett, the frontman for the indie band Airborne Toxic Event, opens the narrative in an orphanagelike facility in California when he was introduced to a strange woman who had come to take him away. “I remember that a 'Mom' is supposed to be a special thing....She tells me I’m her son and she wanted kids so she would not be alone anymore and now she has us and it is a son’s job to take care of his mother,” he writes. Both the author's parents were members of Synanon, a drug-recovery program–turned-cult that took children from their parents when they were 6 months old. After their release from captivity, Jollett and his brother grew up in extreme poverty in rural Oregon. Their mother's distorted view of the parent-child relationship made her almost completely useless as a caretaker; her terminally alcoholic boyfriend was the boys' only reliable source of either physical sustenance or affection. For the first third of the book, the author attempts to portray the world, and the English language, as he perceived it at age 5 and 6. His troubled mother had “deep-russian.” She hated “Thatasshole Reagan.” Another escapee from the cult was beaten by goons and developed “men-in-ji-tis” in the hospital; he thought about sending the cult leader a “sub-peena.” This becomes tiring, and since Jollett's mother was ultimately diagnosed with a personality disorder, the level of detail and repetition with regard to her maternal failures is overdone. The author's father, though an ex-con and former addict, is the story’s hero; he is beautifully written and lights up the book. In fifth grade, a friend introduced Jollett to the Cure. The Smiths and David Bowie were not far behind, and the teenage portion of the book, during which he often lived with his father in Los Angeles, is a smoother read. Ultimately, as he lucidly shows, music would change his life.

A musician proves himself a talented, if long-winded, writer with a very good memory.

Pub Date: May 5, 2020

ISBN: 978-1-250-62156-6

Page Count: 384

Publisher: Celadon Books

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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THE PRISON LETTERS OF NELSON MANDELA

A valuable contribution to our understanding of one of history’s most vital figures.

An epistolary memoir of Nelson Mandela’s prison years.

From August 1962 to February 1990, Mandela (1918-2013) was imprisoned by the apartheid state of South Africa. During his more than 27 years in prison, the bulk of which he served on the notorious Robben Island prison off the shores of Cape Town, he wrote thousands of letters to family and friends, lawyers and fellow African National Congress members, prison officials, and members of the government. Heavily censored for both content and length, letters from Robben Island and South Africa’s other political prisons did not always reach their intended targets; when they did, the censorship could make them virtually unintelligible. To assemble this vitally important collection, Venter (A Free Mind: Ahmed Kathrada's Notebook from Robben Island, 2006, etc.), a longtime Johannesburg-based editor and journalist, pored through these letters in various public and private archives across South Africa and beyond as well as Mandela’s own notebooks, in which he transcribed versions of these letters. The result is a necessary, intimate portrait of the great leader. The man who emerges is warm and intelligent and a savvy, persuasive, and strategic thinker. During his life, Mandela was a loving husband and father, a devotee of the ANC’s struggle, and capable of interacting with prominent statesmen and the ANC’s rank and file. He was not above flattery or hard-nosed steeliness toward his captors as suited his needs, and he was always yearning for freedom, not only—or even primarily—for himself, but rather for his people, a goal that is the constant theme of this collection and was the consuming vision of his entire time as a prisoner. Venter adds tremendous value with his annotations and introductions to the work as a whole and to the book’s various sections.

A valuable contribution to our understanding of one of history’s most vital figures.

Pub Date: July 10, 2018

ISBN: 978-1-63149-117-7

Page Count: 640

Publisher: Liveright/Norton

Review Posted Online: April 3, 2018

Kirkus Reviews Issue: April 15, 2018

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BACK FROM THE DEAD

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

A basketball legend reflects on his life in the game and a life lived in the “nightmare of endlessly repetitive and constant pain, agony, and guilt.”

Walton (Nothing but Net, 1994, etc.) begins this memoir on the floor—literally: “I have been living on the floor for most of the last two and a half years, unable to move.” In 2008, he suffered a catastrophic spinal collapse. “My spine will no longer hold me,” he writes. Thirty-seven orthopedic injuries, stemming from the fact that he had malformed feet, led to an endless string of stress fractures. As he notes, Walton is “the most injured athlete in the history of sports.” Over the years, he had ground his lower extremities “down to dust.” Walton’s memoir is two interwoven stories. The first is about his lifelong love of basketball, the second, his lifelong battle with injuries and pain. He had his first operation when he was 14, for a knee hurt in a basketball game. As he chronicles his distinguished career in the game, from high school to college to the NBA, he punctuates that story with a parallel one that chronicles at each juncture the injuries he suffered and overcame until he could no longer play, eventually turning to a successful broadcasting career (which helped his stuttering problem). Thanks to successful experimental spinal fusion surgery, he’s now pain-free. And then there’s the music he loves, especially the Grateful Dead’s; it accompanies both stories like a soundtrack playing off in the distance. Walton tends to get long-winded at times, but that won’t be news to anyone who watches his broadcasts, and those who have been afflicted with lifelong injuries will find the book uplifting and inspirational. Basketball fans will relish Walton’s acumen and insights into the game as well as his stories about players, coaches (especially John Wooden), and games, all told in Walton’s fervent, witty style.

One of the NBA’s 50 greatest players scores another basket—a deeply personal one.

Pub Date: March 8, 2016

ISBN: 978-1-4767-1686-2

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Dec. 18, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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