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THE NAKED PIONEER GIRL

Outrageously funny for the first few chapters, but wears very thin and becomes quite tedious in short order: Kononov’s humor...

Over-the-top first novel from Russia that butchers an entire stockyard full of sacred communist cows in its account of the military and erotic exploits of a 15-year-old girl during the Siege of Leningrad.

Fifteen years ago a publication like this would have been printed on bootleg mimeographs and probably have earned its author a nice long stay in some Siberian gulag. Today, however, it seems more like an exercise in cheap laughs. There isn’t much of a story—at least not much of a coherent one. Our heroine is the dauntless Maria “Midge” Mukhina, a teenaged Young Pioneer (the Soviet equivalent of the Hitler Youth) who longs so desperately to serve in the Great Patriotic War (WWII) that she forges the necessary papers and enlists as a machine-gunner in the Red Army. Midge is the embodiment of all the socialist virtues extolled in the propaganda pieces of the time: daring, selfless, obedient, and absolutely confident in the leadership of Comrade Stalin. So zealous is she for the defense and triumph of the People’s Revolution that she’s honored by the great Marshall Zhukov, the Defender of Moscow, with a secret mission that will make her a Hero of the Soviet Union—posthumously, of course. How has Midge earned such a commission? On her back, mostly, attending to the needs of all the men in her regiment (officers getting priority, naturally) night after night for the last several years. But now Midge’s nighttime duties take on a new form, since she has found a way to leave her body and fly, stark-naked, through the skies over Leningrad each night. Naturally, this strikes fear into the hearts of the Germans, whose panzers are no match for the airborne nude nymph of the Red Army.

Outrageously funny for the first few chapters, but wears very thin and becomes quite tedious in short order: Kononov’s humor depends on familiarity with the pomposities of Soviet mythology that will be lost on most Americans.

Pub Date: June 1, 2004

ISBN: 1-85242-835-X

Page Count: 256

Publisher: Serpent’s Tail

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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