In the wake of Hurricane Sandy, flooding New York might not be the best-timed story idea. Larry’s promise of yet more...
In this blatantly commercial retread, the author of Night at the Museum (1994, revised 2007, film version 2006) gives the marine exhibits a turn to frolic.
Having hurried to work, museum guard Larry frets as he nods off that he’s left the bathtub faucet on back home—which translates in a dream to a flooded Manhattan and a museum building pushed out to sea by the blue whale and other reanimated specimens. The cartoon art looks equally dashed off, with sketchy backdrops fronted by hastily drawn figures like an octopus that never shows more than five tentacles and a seahorse that’s the same size as the adjacent sea turtle. Unsurprisingly, with help from his daughter Melissa, Larry gets the faucet turned off, the water drained away and the exhibits back in their proper places before dawn. Earnest closing disclaimers that it’s not actually possible either to flood Manhattan from a faucet or to pull the American Museum of Natural History anywhere are superfluous, if not downright condescending.
In the wake of Hurricane Sandy, flooding New York might not be the best-timed story idea. Larry’s promise of yet more sequels in the works is equally ill-advised. (Picture book. 5-7)Pub Date: March 19, 2013
ISBN: 978-0-8050-8948-6
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
A holiday outing that doesn’t quite satisfy.
In this follow-up to singer Parton and co-author Perl’s Billy the Kid Makes It Big (2023), literal and figurative bumps in the road imperil the touring canine country star’s promise to be home for Christmas.
Inspired by one of Parton’s holiday songs, the tale sees Billy, a small brown French bulldog, and bandmates Bo, Buster, and Binky boarding a tour bus for “pawsome” glimpses of natural wonders along with meetings with fans and “puparazzi.” Then, although Billy has sent many letters home promising to be there for the holiday, an invitation to play Barkafeller Center on Christmas Day instantly changes his tune. “Billy was happy. Though he still felt a little…he wasn’t sure what.” Readers may be excused for having mixed feelings about his mixed feelings, not to mention his tersely unapologetic note to the folks. But when, thanks to a bus-busting rock in the road on Christmas Eve, it looks like the band will have to contrive their own celebration (“Silent night, howly night”), Billy remembers that he started making music in the first place for his loved ones. He has no problem bagging the big concert (Fans? What fans? Contract? What contract?) when Dolly herself rolls up in her own bus to offer a ride back to his “Tennessee mountain home” in time for a small show for “the most important audience in the world.” While Billy cuts an endearing figure in Haley’s cartoonish illustrations, his willingness to disappoint first family, then fans may have readers feeling less than cheery.
A holiday outing that doesn’t quite satisfy. (lyrics to Parton’s “Comin’ Home for Christmas”) (Picture book. 5-7)Pub Date: Oct. 1, 2024
ISBN: 9780593755006
Page Count: 40
Publisher: Penguin Workshop
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Why ask children to think deep thoughts when you can offer a superficial variation on the common “Where’s Mama?” theme...
Two picture-book veterans offer a phoned-in collaboration that blows off not only the Big Question it poses, but the plot, too.
A puzzled hatchling chameleon actually has two posers: “Could you tell me who I am and where I come from?” he asks of a giraffe, an elephant and a succession of other jungle animals. No, replies each, identifying itself in a patterned way—“I am the cheetah and I am the fastest animal in the whole wide world, but I do not know what sort of creature you are.” A toothy crocodile at last promises enlightenment if only the little tyke will come closer…but just as he’s is about to climb on the croc’s nose, along comes Mama Chameleon to identify her little one as “my little baby chameleon, the most beautiful and unusual creature in the whole wide world!” and whisk him away to meet his many sibs. In his loosely brushed pictures, Ross adds an ingenious detail to the narrative by having the little one adopt the colors of each animal he questions, but he contradicts Phinn’s version of the climax (having the lizard clamber atop the nose of a croc whose mouth is closer to closed than wide open as described) and, in blithe disregard for internal logic, inexplicably sends the suddenly meek crocodile packing.
Why ask children to think deep thoughts when you can offer a superficial variation on the common “Where’s Mama?” theme instead? (Picture book. 5-7)Pub Date: April 1, 2012
ISBN: 978-0-7613-8996-5
Page Count: 32
Publisher: Andersen Press USA
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
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