In the wake of Hurricane Sandy, flooding New York might not be the best-timed story idea. Larry’s promise of yet more...
In this blatantly commercial retread, the author of Night at the Museum (1994, revised 2007, film version 2006) gives the marine exhibits a turn to frolic.
Having hurried to work, museum guard Larry frets as he nods off that he’s left the bathtub faucet on back home—which translates in a dream to a flooded Manhattan and a museum building pushed out to sea by the blue whale and other reanimated specimens. The cartoon art looks equally dashed off, with sketchy backdrops fronted by hastily drawn figures like an octopus that never shows more than five tentacles and a seahorse that’s the same size as the adjacent sea turtle. Unsurprisingly, with help from his daughter Melissa, Larry gets the faucet turned off, the water drained away and the exhibits back in their proper places before dawn. Earnest closing disclaimers that it’s not actually possible either to flood Manhattan from a faucet or to pull the American Museum of Natural History anywhere are superfluous, if not downright condescending.
In the wake of Hurricane Sandy, flooding New York might not be the best-timed story idea. Larry’s promise of yet more sequels in the works is equally ill-advised. (Picture book. 5-7)Pub Date: March 19, 2013
ISBN: 978-0-8050-8948-6
Page Count: 32
Publisher: Henry Holt
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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A first-rate sharkfest, unusually nutritious for all its brevity.
Buzz and his buzzy buddy open a spinoff series of nonfiction early readers with an aquarium visit.
Buzz: “Like other fish, sharks breathe through gills.” Fly Guy: “GILLZZ.” Thus do the two pop-eyed cartoon tour guides squire readers past a plethora of cramped but carefully labeled color photos depicting dozens of kinds of sharks in watery settings, along with close-ups of skin, teeth and other anatomical features. In the bite-sized blocks of narrative text, challenging vocabulary words like “carnivores” and “luminescence” come with pronunciation guides and lucid in-context definitions. Despite all the flashes of dentifrice and references to prey and smelling blood in the water, there is no actual gore or chowing down on display. Sharks are “so cool!” proclaims Buzz at last, striding out of the gift shop. “I can’t wait for our next field trip!” (That will be Fly Guy Presents: Space, scheduled for September 2013.)
A first-rate sharkfest, unusually nutritious for all its brevity. (Informational easy reader. 5-7)Pub Date: May 1, 2013
ISBN: 978-0-545-50771-4
Page Count: 32
Publisher: Scholastic
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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