Taylor trusts to her material and doesn't try to inflate Cassie's role in these events, and though the strong, clear-headed...
At first Cassie Logan and her brothers, a year or so older than they were in the much briefer, Song of the Trees, (1975) are only dimly aware of rumors that two men have been killed and one badly burned by a white mob.
Then Mary, their mother, tries to organize a boycott against the Wallaces, the local storeowners and instigators of the violence, and Logan land and lives are put on the line. Cassie's own spirit is demonstrated straight off, on the first day of the school year, when she refuses to accept a schoolbook labeled "condition—very poor, race of student—nigra." Like her parents, Cassie learns that she must pick her shots carefully to survive, and she takes pains to learn a few blackmail-level secrets from her special tormentor, Miz Lillian Jean, before giving the older girl a good thrashing. Tragically though, brother Stacey's friend T.J. who isn't so careful, starts hanging around with the Wallace boys and winds up facing a lynch mob after they talk him into helping them rob a store. Although the Logans, whose ownership of desirable farmland has made them a target of white persecution, live in a virtual state of siege, and even after Papa sets fire to his own cotton to divert the attention of the mob from T.J., the story ends unmelodramatically not far from where it began—after a string of hard-fought victories and as many bitter defeats and with the money for the next tax payment on the land still not in sight.
Taylor trusts to her material and doesn't try to inflate Cassie's role in these events, and though the strong, clear-headed Logan family is no doubt an idealization, their characters are drawn with quiet affection and their actions tempered with a keen sense of human fallibility.Pub Date: Oct. 1, 1976
ISBN: 978-0-8037-2647-5
Page Count: 304
Publisher: Dial Books
Review Posted Online: May 10, 2012
Kirkus Reviews Issue: Oct. 1, 1976
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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