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FINAL ARRANGEMENTS

Fast, funny, and remarkably good-natured: You’ll die laughing.

An extremely funny debut novel, set mostly within the confines of a funeral home that hugs the shoreline of bad taste without actually running aground.

Had he been born about 20 years later, Casey Kight would have been a Goth—as it was, in 1974, he was just plain weird. Orphaned at ten, when his parents died in a plane crash, Casey wore a black suit to school (which may have been why he never found a girlfriend) and for good luck carried the key to a funeral parlor with him everywhere he went. On his 21st birthday, he was hired by the Morton-Albright Funeral Home in Angel Shores, Florida, and began work as a mortuary apprentice. His boss, Jerry Stiles, was blunt in his assessment: “There are only three types of men working in the funeral trade: those born into it, those married into it, and those drawn into it. It’s the latter type that gives me pause.” Casey was drawn all right, but he’s not morbid—he’s a natural. Soon he is living at the home as well as working there (much of their business comes in after-hours, you see), and Jerry is fixing him up with his daughter Natalie (who likes to bite people and keeps a photo album of, well, corpses). Apparently old Colton Albright, who owns the business, put a clause in his will leaving everything to the youngest member of the family with a male heir, so Jerry sees an opportunity for his daughter and Casey to get busy. Fast. Because Colton’s got one foot in the grave and the other on a banana peel, as they say in the trade. But there are other problems, too, not the least of which is the Jacob Funeral Trust, a conglomerate that is buying up every independent funeral home in the South and has Morton-Albright in its crosshairs. Is there any chance of a normal life for Casey? Or will his weirdest dreams come true?

Fast, funny, and remarkably good-natured: You’ll die laughing.

Pub Date: March 6, 2002

ISBN: 0-312-27462-9

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2002

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THE CONVERT

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

A Christian woman and a Jewish man fall in love in medieval France.

In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-4708-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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