An uncompromising stance and occasionally heavy-handed writing drain some of the intensity from a difficult, doubt-riddled...



A heartfelt, somewhat moralistic tale of love, loss and difficult decisions.

In his debut novel, Joshi offers a semiautobiographical exploration of an elderly mother’s disappearance into advanced dementia and her son’s struggle to do what’s best for her. Though the ethical gray areas of end-of-life care are rife with potential, Joshi painstakingly makes his opinions too clear for real narrative tension to build, beginning with an unnecessary foreword that includes the leading, synoptic question: “Should human beings in the later stages of dementia be forced to stay alive, connected to machines, when they have no quality of life, or should they be allowed to die with dignity?” The true action of the book begins when narrator Michael Johnson, the youngest of three siblings, learns his mother, Linda, has died—though it’s quickly revealed that Michael had “known it was coming because [he] was the catalyst for her death.” The first few chapters follow the days immediately after, as Michael, sister Maria and brother Mark make funeral arrangements and try to come to terms with their loss. Joshi does some of his best writing here, with specific, evocative details: Michael’s confusion about the death certificate’s bureaucratic significance; his misguided impulse to reprimand the children in the family for playing at the funeral; the adult siblings reminiscing about their mother, trading anecdotes that seem, on the surface, entirely unimportant. The greater portion of the book is devoted to flashbacks tracing the course of Linda’s cognitive deterioration from her first symptoms through her time living with Michael and his family to Michael’s decision to move her to a nursing home. In a moment that feels slightly sexist at the book’s climax, Michael and sensible Mark are unable to convince the “emotional” Maria that it’s in their mother’s best interest to remove the feeding tubes that keep their mother alive in body only.

An uncompromising stance and occasionally heavy-handed writing drain some of the intensity from a difficult, doubt-riddled situation.

Pub Date: Oct. 11, 2012

ISBN: 978-1477623589

Page Count: 200

Publisher: CreateSpace

Review Posted Online: Dec. 24, 2012

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This guide to Black culture for White people is accessible but rarely easy.


A former NFL player casts his gimlet eye on American race relations.

In his first book, Acho, an analyst for Fox Sports who grew up in Dallas as the son of Nigerian immigrants, addresses White readers who have sent him questions about Black history and culture. “My childhood,” he writes, “was one big study abroad in white culture—followed by studying abroad in black culture during college and then during my years in the NFL, which I spent on teams with 80-90 percent black players, each of whom had his own experience of being a person of color in America. Now, I’m fluent in both cultures: black and white.” While the author avoids condescending to readers who already acknowledge their White privilege or understand why it’s unacceptable to use the N-word, he’s also attuned to the sensitive nature of the topic. As such, he has created “a place where questions you may have been afraid to ask get answered.” Acho has a deft touch and a historian’s knack for marshaling facts. He packs a lot into his concise narrative, from an incisive historical breakdown of American racial unrest and violence to the ways of cultural appropriation: Your friend respecting and appreciating Black arts and culture? OK. Kim Kardashian showing off her braids and attributing her sense of style to Bo Derek? Not so much. Within larger chapters, the text, which originated with the author’s online video series with the same title, is neatly organized under helpful headings: “Let’s rewind,” “Let’s get uncomfortable,” “Talk it, walk it.” Acho can be funny, but that’s not his goal—nor is he pedaling gotcha zingers or pleas for headlines. The author delivers exactly what he promises in the title, tackling difficult topics with the depth of an engaged cultural thinker and the style of an experienced wordsmith. Throughout, Acho is a friendly guide, seeking to sow understanding even if it means risking just a little discord.

This guide to Black culture for White people is accessible but rarely easy.

Pub Date: Nov. 10, 2020


Page Count: 256

Publisher: Flatiron Books

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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One of the funniest—and truest—books in recent memory and a must-have for fans of the poet laureate of human foibles.

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A welcome greatest-hits package from Sedaris.

It’s not easy to pick out fact from fiction in the author’s sidelong takes on family, travel, relationships, and other topics. He tends toward the archly droll in either genre, both well represented in this gathering, always with a perfectly formed crystallization of our various embarrassments and discomforts. An example is a set piece that comes fairly early in the anthology: the achingly funny “Me Talk Pretty One Day,” with its spot-on reminiscence of taking a French class with a disdainful instructor, a roomful of clueless but cheerful students, and Sedaris himself, who mangles the language gloriously, finally coming to understand his teacher’s baleful utterances (“Every day spent with you is like having a cesarean section”) without being able to reply in any way that does not destroy the language of Voltaire and Proust. Sedaris’ register ranges from doggerel to deeply soulful, as when he reflects on the death of a beloved sibling and its effects on a family that has been too often portrayed as dysfunctional when it’s really just odd: “The word,” he writes, “is overused….My father hoarding food inside my sister’s vagina would be dysfunctional. His hoarding it beneath the bathroom sink, as he is wont to do, is, at best, quirky and at worst unsanitary.” There’s not a dud in the mix, though Sedaris is always at his best when he’s both making fun of himself and satirizing some larger social trend (of dog-crazy people, for instance: “They’re the ones who, when asked if they have children, are likely to answer, ‘A black Lab and a sheltie-beagle mix named Tuckahoe’ ”). It’s a lovely mélange by a modern Mark Twain who is always willing to set himself up as a shlemiel in the interest of a good yarn.

One of the funniest—and truest—books in recent memory and a must-have for fans of the poet laureate of human foibles.

Pub Date: Nov. 3, 2020

ISBN: 978-0-316-62824-2

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Nov. 8, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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