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YOU ARE NOT I

A PORTRAIT OF PAUL BOWLES

This jumbled but ever readable account of the expatriate composer and author is not so much a biography as a meditation on the biographical process and its pitfalls. Anticipating the death of Paul Bowles, the last of the Tangiers giants, a full-scale literary industry is beginning to gear up. Bowles himself has never been a particularly prolific author, but each work of fiction, from The Sheltering Sky to the shortest of his short stories, arrived with a resounding fullness to it. A world so complete, so considered, that each work feels like a life’s oeuvre. There’s an elusive archetypal quality to his work that seems to mediate between the noumenal and phenomenal, as if these classic philosophic distinctions were almost resolvable. Like his work, Bowles seems to be just beyond full understanding, a passive acquiescent personality who can’t say no, but is very good at avoiding anything uncomfortable. He is particularly elusive when Dillon (who edited The Portable Paul and Jane Bowles as well as a volume of Jane Bowles’s letters) attempts to tease out the deeply autobiographical elements of his work: “Hadn’t he always been in the process of escaping? Escaping into another room, escaping across borders into another country, escaping into regions within himself, escaping into others, escaping into his characters, even as they too are escaping.” Dillon here has thrown over the traditional biographical method in favor of a free-form approach, part interview, part reminiscence, part autobiography. Based largely on hundreds of hours spent with Bowles, it’s a fascinating mix that doesn’t quite gel, although there are flashes of real insight. The autobiographical elements are overplayed, although such elements as the arrival of a second, rival biographer and Dillon’s sense that she is trapped in a Bowles novel are so intriguing, one excuses their irrelevance. (15 b&w photos)

Pub Date: April 1, 1998

ISBN: 0-520-21104-9

Page Count: 384

Publisher: Univ. of California

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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