sense of loyalty, made it easy to betray his country.
Brooding, creepy fictional biography of the Jewish-American chemist who became a courier for the Soviets before and
during WWII and was significant in the exposure of Klaus Fuchs and the conviction of the Rosenbergs. The sensational spy stories of the “50s have been deflated by post-Cold War revelations that information allegedly leaked by Americans accused of serving the Soviets was not all that consequential. After Whittaker Chambers, the most pathetic American to plead guilty to espionage during the Red scare, was introverted Harry Gold, who lived with his brother and Russian-born parents in Philadelphia. Gold, a profoundly uninteresting bachelor whose underwhelming presence deflated Hoover's attempt to cast him as the embodiment of evil, dictated several detailed confessions to the FBI. He testified as a prosecution witness against the Rosenbergs, served half of a 30-year prison sentence, and then worked as a researcher in a hospital, dying at his parents' house in 1972. Gold has none of the glitter that appeals to biographers, but, as fictionalized by Dillon (You Are Not I: A Portrait of Paul Bowles, 1998, etc.), he becomes a classic le Carr‚ drudge, an intelligent, repressed social failure whose innocent urge to do good and suspicion of anti-Semitic Depression-era America make him an easy mark for Soviet recruiters. In dry, restrained prose, Dillon shows how Gold's hunger for human contact helps him ignore the hypocrisies and manipulations of his handlers. As a courier moving documents and money, he spends long hours on lonely trains, transfixed by the glamour his secret life provides. After building him up as an existential hero worthy of Graham Greene, Dillon piles on the irony, quoting long, patronizing passages from his trial and suggesting Gold's essential tragedy was that no one cared enough to know him. Intense, disturbing fictional portrait of a historical also-ran whose unshakable faith in human goodness, and deeply moving
sense of loyalty, made it easy to betray his country.Pub Date: April 21, 2000
ISBN: 1-58567-012-X
Page Count: 288
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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