sense of loyalty, made it easy to betray his country.
Brooding, creepy fictional biography of the Jewish-American chemist who became a courier for the Soviets before and
during WWII and was significant in the exposure of Klaus Fuchs and the conviction of the Rosenbergs. The sensational spy stories of the “50s have been deflated by post-Cold War revelations that information allegedly leaked by Americans accused of serving the Soviets was not all that consequential. After Whittaker Chambers, the most pathetic American to plead guilty to espionage during the Red scare, was introverted Harry Gold, who lived with his brother and Russian-born parents in Philadelphia. Gold, a profoundly uninteresting bachelor whose underwhelming presence deflated Hoover's attempt to cast him as the embodiment of evil, dictated several detailed confessions to the FBI. He testified as a prosecution witness against the Rosenbergs, served half of a 30-year prison sentence, and then worked as a researcher in a hospital, dying at his parents' house in 1972. Gold has none of the glitter that appeals to biographers, but, as fictionalized by Dillon (You Are Not I: A Portrait of Paul Bowles, 1998, etc.), he becomes a classic le Carr‚ drudge, an intelligent, repressed social failure whose innocent urge to do good and suspicion of anti-Semitic Depression-era America make him an easy mark for Soviet recruiters. In dry, restrained prose, Dillon shows how Gold's hunger for human contact helps him ignore the hypocrisies and manipulations of his handlers. As a courier moving documents and money, he spends long hours on lonely trains, transfixed by the glamour his secret life provides. After building him up as an existential hero worthy of Graham Greene, Dillon piles on the irony, quoting long, patronizing passages from his trial and suggesting Gold's essential tragedy was that no one cared enough to know him. Intense, disturbing fictional portrait of a historical also-ran whose unshakable faith in human goodness, and deeply moving
sense of loyalty, made it easy to betray his country.Pub Date: April 21, 2000
ISBN: 1-58567-012-X
Page Count: 288
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2000
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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