Ivanović’s contributions are from Serbian, Bosnian, Croatian, and Finnish writers—all admirably noirish.
Fourteen tales of woe from what Serbian novelist Momo Kapor once called “a low-budget New York.”
Like all Balkan capitals, Belgrade cowers in the shadow of war. In Muharem Bazdulj’s “Black Widow, White Russian,” a Serbian woman who grew up in Sweden enlists the help of a recent divorcé to find the soldier responsible for her father’s death. A Croatian who’s secretly a Serb comes to no good in Miljenko Jergović’s “The Case of Clerk Hinko, a Noose, and Luminal.” The gay heroine of Vladimir Arsenijević’s “Regarding the Father” helps her lover avenge the rape of her mother by war criminals. Vule Žurić shows Partisan and Soviet soldiers sharing the task of excavating the grave of a spy killed by the Nazis in “The Man Who Wasn’t Mars.” Aleksandar Gatalica allows another victim of Nazi brutality to take his revenge via time travel in “The Phantom of the National Theater.” Other stories look forward rather than back in time. The spyware that the IT specialist in Misha Glenny’s “The RAT” installs on a customer’s iPhone thwarts a murder. Goran Skrobonja explores the consequences of a technology that allows people to create a living doppelgänger to take their place when they want to be somewhere else in “Alter Ego Inc.” And some stories are timeless in showing the strange turns that can be taken by the most pedestrian among us, like the chess-playing retirees who discover a sadomasochistic sex business operating out of the cardiologist’s office on the fourth floor of their apartment building in Oto Oltvanji’s “Underneath It All Runs the River of Sadness.”
Ivanović’s contributions are from Serbian, Bosnian, Croatian, and Finnish writers—all admirably noirish.Pub Date: Dec. 1, 2020
ISBN: 978-1-61775-749-5
Page Count: 272
Publisher: Akashic
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.
A news presenter and a police detective are brought together by murders in the British village where they both grew up.
There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”
Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.Pub Date: July 28, 2020
ISBN: 978-1-250-26608-8
Page Count: 320
Publisher: Flatiron Books
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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