Ivanović’s contributions are from Serbian, Bosnian, Croatian, and Finnish writers—all admirably noirish.
Fourteen tales of woe from what Serbian novelist Momo Kapor once called “a low-budget New York.”
Like all Balkan capitals, Belgrade cowers in the shadow of war. In Muharem Bazdulj’s “Black Widow, White Russian,” a Serbian woman who grew up in Sweden enlists the help of a recent divorcé to find the soldier responsible for her father’s death. A Croatian who’s secretly a Serb comes to no good in Miljenko Jergović’s “The Case of Clerk Hinko, a Noose, and Luminal.” The gay heroine of Vladimir Arsenijević’s “Regarding the Father” helps her lover avenge the rape of her mother by war criminals. Vule Žurić shows Partisan and Soviet soldiers sharing the task of excavating the grave of a spy killed by the Nazis in “The Man Who Wasn’t Mars.” Aleksandar Gatalica allows another victim of Nazi brutality to take his revenge via time travel in “The Phantom of the National Theater.” Other stories look forward rather than back in time. The spyware that the IT specialist in Misha Glenny’s “The RAT” installs on a customer’s iPhone thwarts a murder. Goran Skrobonja explores the consequences of a technology that allows people to create a living doppelgänger to take their place when they want to be somewhere else in “Alter Ego Inc.” And some stories are timeless in showing the strange turns that can be taken by the most pedestrian among us, like the chess-playing retirees who discover a sadomasochistic sex business operating out of the cardiologist’s office on the fourth floor of their apartment building in Oto Oltvanji’s “Underneath It All Runs the River of Sadness.”
Ivanović’s contributions are from Serbian, Bosnian, Croatian, and Finnish writers—all admirably noirish.Pub Date: Dec. 1, 2020
ISBN: 978-1-61775-749-5
Page Count: 272
Publisher: Akashic
Review Posted Online: Sept. 15, 2020
Kirkus Reviews Issue: Oct. 1, 2020
The most richly accomplished of the brothers’ pairings to date—and given Connelly’s high standards, that’s saying a lot.
Harry Bosch and the Lincoln Lawyer team up to exonerate a woman who’s already served five years for killing her ex-husband.
The evidence against Lucinda Sanz was so overwhelming that she followed the advice of Frank Silver, the B-grade attorney who’d elbowed his way onto her defense, and pleaded no contest to manslaughter to avoid a life sentence for shooting Los Angeles County Sheriff’s Deputy Roberto Sanz in the back as he stalked out of her yard after their latest argument. But now that her son, Eric, is 13, old enough to get recruited by local gangs, she wants to be out of stir and at his side. So she writes to Mickey Haller, who asks his half-brother for help. After all his years working for the LAPD, Bosch is adamant about not working for a criminal defendant, even though Haller’s already taken him on as an associate so that he can get access to private health insurance and a UCLA medical trial for an experimental cancer treatment. But the habeas corpus hearing Haller’s aiming for isn’t, strictly speaking, a criminal defense proceeding, and even a cursory examination of the forensic evidence raises Bosch’s hackles. Bolstered by Bosch’s discoveries and a state-of-the-art digital reconstruction of the shooting, Haller heads to court to face Assistant Attorney General Hayden Morris, who has a few tricks up his own sleeve. The endlessly resourceful courtroom back-and-forth is furious in its intensity, although Haller eventually upstages Bosch, Morris, and everyone else in sight. What really stands out here, however, is that Connelly never lets you forget, from his title onward, the life-or-death issues behind every move in the game.
The most richly accomplished of the brothers’ pairings to date—and given Connelly’s high standards, that’s saying a lot.Pub Date: Nov. 7, 2023
ISBN: 9780316563765
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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