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TAKING ROOT

Name: TAKING ROOT
Author: Milton Meltzer
ISBN: 0440984920

JEWISH IMMIGRANTS IN AMERICA

by Milton Meltzer ‧ RELEASE DATE: Oct. 1, 1976

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While the vivid, first-hand memories of struggle and triumph—of William Zorach, Maurice Hindus, Mary Antin, Abraham Cahan, and others—are the backbone of this sequel to his documentary World of Our Fathers (1974), Meltzer isn't content with celebrating the success stories. These are the immigrant milieux of Remember the Days (also 1974) reexamined in a harsher, sociological light: Meltzer focuses on the pressures toward Americanization that turned Mashkes and Yankels into Marys and Jims and on the process by which, in the words of historian Lucy Dawidowicz, "the freedom to make money became an obsession" for some. He shows how whole villages—and the attendant class conflicts—were often reassembled in American garment businesses, and he celebrates the success of Jewish socialists in organizing labor unions yet still questions whether the factory was in all ways a dramatic improvement over the sweatshop where, as in the factory the work was "more minute, more intense, and more monotonous." Similarly, the reminisces of those who found public education a thrilling opportunity are balanced by the caution that the schools still failed to equalize opportunities for Jews or any other group. And nostalgia for the old Daily Forward—recalled here along with the Yiddish theater and Essex Street cafes—is tempered by a reminder that the Yiddish press developed its own brand of yellow journalism. Although others have drawn on much of the same sources (Karp's Golden Door to America [p. 667, adult] is the most recent and rich), Meltzer's succinct and intelligent commentary can serve, simultaneously, as a popular introduction to the era and a reexamination of the melting pot myths. . . and it could be an agreeable bridge to the more than 75 titles in his well selected bibliography.

Pub Date: Oct. 1, 1976

ISBN: 0440984920

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Oct. 1, 1976

Categories:

GENERAL NONFICTION

- BOOK REVIEW
ALBERT EINSTEIN
by Milton Meltzer

- BOOK REVIEW
TOUGH TIMES
by Milton Meltzer

- BOOK REVIEW
HEAR THAT TRAIN WHISTLE BLOW!
by Milton Meltzer

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.