An evocative and beautifully written debut.
The tumult of loving someone with a chronic mental illness can exhaust even the most caring person.
Just ask Miranda, elder sister to Lucia, a brash, brilliant journalist whose periodic descent into severe psychosis has taxed their relationship and forced Miranda to confront the limits of family loyalty. Of course, she knows that Lucia can be attentive, charming, and kind, drawing in friends and colleagues—at least until the inevitable delusions take hold. It’s scary stuff. To Lee's credit, Lucia, the more compellingly drawn of the two siblings, never seems like a psychological case study. Instead, we get inside her head—perhaps even inside her soul—to grapple with the challenges she faces. Her loving first marriage, to an older Israeli East Village shop owner named Yonah, begins and ends abruptly, revealing the magnitude of Lucia’s impetuous nature. Later, she hooks up with Manuel, an undocumented Ecuadoran immigrant working odd jobs in Westchester Country, New York, and has a baby. A move to Ecuador, where Lucia, Manuel, and baby Esperanza live in close proximity to Manuel’s family, is both comforting and stifling and raises questions about the cultural assumptions governing gender, parenting, and assimilation. In addition, what it means to live outside one’s country of origin is explored from both Manuel's and Lucia’s perspectives. The book also exposes the helplessness of family members wishing to fix a fraught situation; the class dimension of health care delivery; and the rampant misinformation surrounding the treatment and diagnosis of illnesses like schizoaffective disorder. Lastly, vivid descriptions of the gentrifying Lower East Side of 1990s New York City, the heavily immigrant towns along the Hudson River, and several communities in Ecuador ground the characters in distinct locations.
An evocative and beautifully written debut.Pub Date: Jan. 16, 2018
ISBN: 978-0-7352-2196-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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