Despite the racing theme, a pleasingly deliberate look at grief and healing.

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BREATHE, ANNIE, BREATHE

From the Hundred Oaks series

Running the marathon that her boyfriend can’t will change Annie’s life—and not just for 26 miles.

It’s been months since her boyfriend, Kyle, was killed in a car accident, right after he and Annie had reconciled from a fight about their futures. To deal with her grief, Annie resolves to run the Music City Marathon, the race Kyle was training for when he died. The training doesn’t come easily to her—she’s slow, her knees hurt, her stomach is sensitive, and there’s even some embarrassing chafing. But her coach, Matt, and her new running friends keep cheering her on, not to mention Matt’s brother, Jeremiah, a daredevil who makes Annie feel so many things: fear, guilt, lust…and maybe love? But to move on with Jere, Annie will have to make peace with the loss of Kyle, while adjusting to leaving home and starting college. If she keeps breathing, she might just make it. While experienced runners might question pitfalls that don’t seem to negatively affect Annie’s running times, most readers will be more frustrated with the stop-and-start progress of her relationship with Jere. More importantly, though, Annie’s grieving and growth are realistic, and she makes it to the starting line in the best shape—physical and emotional—to tackle the challenges ahead.

Despite the racing theme, a pleasingly deliberate look at grief and healing. (Fiction. 14-18)

Pub Date: July 1, 2014

ISBN: 978-1-4022-8479-3

Page Count: 304

Publisher: Sourcebooks Fire

Review Posted Online: April 16, 2014

Kirkus Reviews Issue: June 1, 2014

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An emotionally engaging closer that fumbles in its final moments.

ALWAYS AND FOREVER, LARA JEAN

From the To All the Boys I've Loved Before series , Vol. 3

Lara Jean prepares for college and a wedding.

Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.

An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)

Pub Date: May 2, 2017

ISBN: 978-1-4814-3048-7

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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Many teen novels touch on similar themes, but few do it so memorably.

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ALL THE BRIGHT PLACES

Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.

Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. (Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Finch's self-destructive streak and suicidal impulses are never far from the surface, and the chapters he narrates are interspersed with facts about suicide methods and quotations from Virginia Woolf and poet Cesare Pavese. When the story inevitably turns tragic, a cast of carefully drawn side characters brings to life both the pain of loss and the possibility of moving forward, though some notes of hope are more believable than others.

Many teen novels touch on similar themes, but few do it so memorably. (Fiction. 14 & up)

Pub Date: Jan. 6, 2015

ISBN: 978-0-385-75588-7

Page Count: 400

Publisher: Knopf

Review Posted Online: Oct. 1, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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