Lovely lyric lessons in appreciating the ordinary.

THANKU

POEMS OF GRATITUDE

An anthology of diverse voices united by the theme of giving thanks.

In her editorial debut, Paul (Nine Months: Before a Baby Is Born, 2019, etc.) pairs over 30 poems with Myles’ (Spirit Lake Dakota/Mohegan/Muscokee Creek) spirited illustrations capturing favorite things for which the nearly three-dozen poets represented here are thankful. Motivated by the sentiment that gratitude should be expressed year-round, Paul collects poems as varied in form as content. The poets not only select a wide array of objects inspiring gratitude—including dimples, “Deep indents in my brown skin / Inspired by the smile bouncing upward from my toes”; an alluring “ocean rock” too perfect for skipping across the water; and the rich experience behind “each scar”—but employ incredibly varied lyric forms such as acrostic, ballad, tricube, even “math poems” (“family + friends + love = a thankful heart”). Myles’ colorful digitally rendered illustrations help contextualize the poems, saturated, often abstract backgrounds complementing neatly outlined, diverse figures. While Paul’s choice of contributors and Myles’ depictions of characters are refreshingly inclusive, the collection succeeds more in its individual poetic efforts than an anthology as a whole. Backmatter includes a guide to the forms and devices on display, thumbnail bios of each contributor, and an author’s note complicating simplistic perceptions of Thanksgiving.

Lovely lyric lessons in appreciating the ordinary. (resources) (Picture book/poetry. 6-10)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5415-2363-0

Page Count: 40

Publisher: Millbrook/Lerner

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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Hundreds of pages of unbridled uplift boiled down to 40.

THE LITTLE BOOK OF JOY

From two Nobel Peace Prize winners, an invitation to look past sadness and loneliness to the joy that surrounds us.

Bobbing in the wake of 2016’s heavyweight Book of Joy (2016), this brief but buoyant address to young readers offers an earnest insight: “If you just focus on the thing that is making / you sad, then the sadness is all you see. / But if you look around, you will / see that joy is everywhere.” López expands the simply delivered proposal in fresh and lyrical ways—beginning with paired scenes of the authors as solitary children growing up in very different circumstances on (as they put it) “opposite sides of the world,” then meeting as young friends bonded by streams of rainbow bunting and going on to share their exuberantly hued joy with a group of dancers diverse in terms of age, race, culture, and locale while urging readers to do the same. Though on the whole this comes off as a bit bland (the banter and hilarity that characterized the authors’ recorded interchanges are absent here) and their advice just to look away from the sad things may seem facile in view of what too many children are inescapably faced with, still, it’s hard to imagine anyone in the world more qualified to deliver such a message than these two. (This book was reviewed digitally.)

Hundreds of pages of unbridled uplift boiled down to 40. (Picture book. 6-8)

Pub Date: Sept. 27, 2022

ISBN: 978-0-593-48423-4

Page Count: 40

Publisher: Crown

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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A unique angle on a watershed moment in the civil rights era.

I AM RUBY BRIDGES

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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